Herself
Kawase pays tribute to the grandmother that raised her after being separated from her parents as a child. The film teems with memories, but it is the faded, dusty photographs capturing the kindness in her grandmother’s shy smile that truly bring the woman to life.
Self
Acompanhando ao mesmo tempo o nascimento de seu filho e o envelhecimento de sua avó, Naomi Kawase investiga a partir de imagens cotidianas a constituição de suas relações familiares e os estágios da vida.
Self
Kawase tries to come to terms with her late father, whom she never knew when growing up, and contemplates getting a tattoo like his.
The last piece of the trilogy, following 'Katatsumori' and 'See Heaven', filming her grandma and herself. Her gazes and insights are cast on the lovable beings in front of her eyes.
Self
The sequel to Naomi Kawase's Katasumori. The film revisits Kawase’s relationship with her “grandma”, capturing their love and attachment towards each other.
Self
Filmmaker Naomi Kawase captures the love, loss, and loneliness felt as she prepares to move out of her foster mother's home.
Self
A diary film about Kawase's relationship with her Grandma and the search for her Father, whom she has not seen since her parents divorced during her early childhood.