This is a Filipino omnibus film about three different journeys.
A family of Lumad keeps their eldest daughter's 'adhikain' (aspirations) by immortalizing her into a myth, blurring the line between reality and folklore.
Three individuals co-exist in a house wherein every minute they spent, determines their own destiny. This film is shot on a single-take with a smartphone camera.
Marcus's Girlfrien
Jewel is a mysterious woman who lives alone in the city. She has a secret which has led her to settle into a lonely existence. That is, until she meets Nico, a broken-hearted, down-and-out guy who also feels unlovable like she does. Jewel is torn between wanting to love him and wanting to save him from herself.
A syndicate old-timer named Ben needs to do one last assignment before the boss he works for grants him his much delayed retirement. Assigned to be his partner is the neophyte Morris, a trigger-happy, sadist who yearns to impress the syndicate boss. For Ben, this last assignment turns out to be a journey of introspection, self-healing and redemption. With this awakening, he takes it upon himself to pull Morris out of the eventual hell-of-a-life he says he has lived as a hitman.
Two distant lives run along each other, one of loss and the other of abuse sharing a bond that transcends space, reality and time.
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KALAW APFI Thesis Film 16 mins Written and directed by: Immy Rempis
Cinematography
Drawing from his personal adventures, film director, Elwood Perez veers away from standard-issue plot conventions in this paradoxically moral tale of a young man en route to becoming a creative artist.
A promise of love broken by the promise of a good life.
