Martina Parenti

Students at an academy of singing, dance, and music are subjected to strict rules and arduous challenges in an atmosphere of fierce rivalry as they pursue the dream of becoming show business stars. The clandestine relationship of Lisa and Damiano is likely to cost them the opportunity to participate in the final contest and will have to decide whether to sacrifice love to achieve success.

In a room of the Cineteca di Milano, Giancarlo Consonni and Graziella Tonon observe old films that have just been digitized: they tell of the life and projects of the architect, urban planner, painter and photographer Piero Bottoni. The film follows the couple's research among the materials stored both in the film library and above all in the archive. They tell of a multifaceted and socially committed artist, who has dedicated his life and his work to the primary intent of instilling dream and enchantment into reality, making use of the contribution of all the arts. Through the multiplicity of materials at our disposal - drawings, films, photos, surveys, projects, voices - the film shows the realization of Piero Bottoni's most ambitious project: the construction of a mountain in Milan, Monte Stella, born from the rubble of the Second World War.

How to film war? «War and Peace» tells the story of the century-old relationship between cinema and war, from the time of their first encounter, way back in 1911 with the Italian invasion of Libya, up to the present day. Forging ahead from the images captured by the pioneers of cinema to today’s twitter feeds, following young soldiers as they are trained to film war, the alliance between cinema and war appears to be a powerful one.

How to film war? «War and Peace» tells the story of the century-old relationship between cinema and war, from the time of their first encounter, way back in 1911 with the Italian invasion of Libya, up to the present day. Forging ahead from the images captured by the pioneers of cinema to today’s twitter feeds, following young soldiers as they are trained to film war, the alliance between cinema and war appears to be a powerful one.

How to film war? «War and Peace» tells the story of the century-old relationship between cinema and war, from the time of their first encounter, way back in 1911 with the Italian invasion of Libya, up to the present day. Forging ahead from the images captured by the pioneers of cinema to today’s twitter feeds, following young soldiers as they are trained to film war, the alliance between cinema and war appears to be a powerful one.

How to film war? «War and Peace» tells the story of the century-old relationship between cinema and war, from the time of their first encounter, way back in 1911 with the Italian invasion of Libya, up to the present day. Forging ahead from the images captured by the pioneers of cinema to today’s twitter feeds, following young soldiers as they are trained to film war, the alliance between cinema and war appears to be a powerful one.

How to film war? «War and Peace» tells the story of the century-old relationship between cinema and war, from the time of their first encounter, way back in 1911 with the Italian invasion of Libya, up to the present day. Forging ahead from the images captured by the pioneers of cinema to today’s twitter feeds, following young soldiers as they are trained to film war, the alliance between cinema and war appears to be a powerful one.

Uma jornada noturna e subterrânea dentro da TBM (Tunnel Boring Machine), a máquina usada para escavar túneis e metrôs ao redor do mundo.

Uma jornada noturna e subterrânea dentro da TBM (Tunnel Boring Machine), a máquina usada para escavar túneis e metrôs ao redor do mundo.

Uma jornada noturna e subterrânea dentro da TBM (Tunnel Boring Machine), a máquina usada para escavar túneis e metrôs ao redor do mundo.

Uma jornada noturna e subterrânea dentro da TBM (Tunnel Boring Machine), a máquina usada para escavar túneis e metrôs ao redor do mundo.

Water, air, earth, fire, ether. Four different stories that tell and show a reaching out towards immortality. We dedicate the element water to immortality in science, that of air to the immortality of art, that of earth to the immortality of faith and that of fire to the immortality of feelings. Ether, linked to the cosmos and the stars, is a tribute to the film industry.

Water, air, earth, fire, ether. Four different stories that tell and show a reaching out towards immortality. We dedicate the element water to immortality in science, that of air to the immortality of art, that of earth to the immortality of faith and that of fire to the immortality of feelings. Ether, linked to the cosmos and the stars, is a tribute to the film industry.

Water, air, earth, fire, ether. Four different stories that tell and show a reaching out towards immortality. We dedicate the element water to immortality in science, that of air to the immortality of art, that of earth to the immortality of faith and that of fire to the immortality of feelings. Ether, linked to the cosmos and the stars, is a tribute to the film industry.

Water, air, earth, fire, ether. Four different stories that tell and show a reaching out towards immortality. We dedicate the element water to immortality in science, that of air to the immortality of art, that of earth to the immortality of faith and that of fire to the immortality of feelings. Ether, linked to the cosmos and the stars, is a tribute to the film industry.

Stonecarvers, masons, carpenters, smiths, electricians, woodworkers, restorers, goldsmiths: the extraordinary, never-ending saga of the fabrication of Milan Cathedral is portrayed in the light of the sacredness of a building that lives through times, rhythms, calendars and aspirations that merge with and transcend the labor of men and women. The anonymous, humble, painstaking everyday care required by a structure such as the Cathedral, over the years and still today, reveals the magnificence of human action that spans time and generations, holding within itself a grand humanist sentiment.

Stonecarvers, masons, carpenters, smiths, electricians, woodworkers, restorers, goldsmiths: the extraordinary, never-ending saga of the fabrication of Milan Cathedral is portrayed in the light of the sacredness of a building that lives through times, rhythms, calendars and aspirations that merge with and transcend the labor of men and women. The anonymous, humble, painstaking everyday care required by a structure such as the Cathedral, over the years and still today, reveals the magnificence of human action that spans time and generations, holding within itself a grand humanist sentiment.

Stonecarvers, masons, carpenters, smiths, electricians, woodworkers, restorers, goldsmiths: the extraordinary, never-ending saga of the fabrication of Milan Cathedral is portrayed in the light of the sacredness of a building that lives through times, rhythms, calendars and aspirations that merge with and transcend the labor of men and women. The anonymous, humble, painstaking everyday care required by a structure such as the Cathedral, over the years and still today, reveals the magnificence of human action that spans time and generations, holding within itself a grand humanist sentiment.

Materia oscura tells the story of a war zone in peacetime. The film location is the Salto di Quirra test range (Sardinia, Italy) where, for over fifty years, governments around the world have tested 'new weapons' and where the Italian government has carried out controlled explosions of old weapon stocks, inexorably endangering the territory.

Materia oscura tells the story of a war zone in peacetime. The film location is the Salto di Quirra test range (Sardinia, Italy) where, for over fifty years, governments around the world have tested 'new weapons' and where the Italian government has carried out controlled explosions of old weapon stocks, inexorably endangering the territory.

Materia oscura tells the story of a war zone in peacetime. The film location is the Salto di Quirra test range (Sardinia, Italy) where, for over fifty years, governments around the world have tested 'new weapons' and where the Italian government has carried out controlled explosions of old weapon stocks, inexorably endangering the territory.

Materia oscura tells the story of a war zone in peacetime. The film location is the Salto di Quirra test range (Sardinia, Italy) where, for over fifty years, governments around the world have tested 'new weapons' and where the Italian government has carried out controlled explosions of old weapon stocks, inexorably endangering the territory.

From a Calabrian river to a night in Catania where stray dogs roam the city aimlessly: between these two extremes "full of emptiness" is built Checosamanca , a collective work, born with the intention of talking about the present, preferring the action to the easy complaint about the absence of the state and of politics.