Camera Operator
The opening of the Picasso-National Museum in Paris granted a unique chance for Didier Baussy to document the precious collection in the museum in 81-minutes of film. The museum shows paintings held back by Picasso himself which have been very valuable for his connection to the world and his memories. A sensitive Analysis of these pictures dominantly from the Guernica-phase, grant a deep insight into the history of this artist and man Picasso, a geographical location of the scenes and a glimpse of his sources of inspiration.
Director of Photography
Hamdias, a producer who's set out to break new boundaries, plans to finance a film about torture. According to him, torture, the clash of two or more people, is not only what substantiates basic human relationships but also love and politics. Unfortunately Hamdias dies in a freak accident and his project is grounded. After some time, Galai (Olga Karlatos), who should have been the main actress of Hamdias movie, sets out to complete the controversial project. As soon as filming starts again, the thin line that separates reality from a nightmarish obsession begins slowly to blur.
Director
Marcel Trillat traveled to the slums of Aubervilliers and Nanterre, to meet immigrants of Portuguese and African origin. Composed of images taken on the spot and testimonies, this film forcefully denounces the policy then followed by France in terms of immigration. On the night of December 31, 1969 to January 1, 1970, five black workers died of asphyxiation in a home in Aubervilliers. In the post-68 context, this drama will experience national repercussions, both politically and in the media. Marcel Trillat and Frédéric Variot then produced Étranges Étrangers, a documentary that candidly shows the slums and hovels of Aubervilliers and Saint-Denis.
