Antoine Ouvrier

Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah feels anything but at home in his old neighborhood: He can no longer speak the local dialect, and he wears western clothes that immediately cast him as an outsider. But, as Abdallah spends time with a young boy and an elderly electrician, he can't help but feel a sense of loss for the life he's abandoning

An old psychiatrist finds out that he is likely to suffer a second and probably fatal heart attack in the near future. As a consequence he becomes determined to seduce Odile, a young woman he first encounters in a railway compartment.

A homage to journalist Francis Ponge in a film that its author regarded as “natural.”

Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional need. For another, Elsa is an incredibly elusive person, extremely difficult to pin down about anything - especially whatever is bothering her. How they have managed to survive this long is a cause for wonder. When Al gets an opportunity to be cast in a movie role, complete with no-cost occupancy in the casting agent's ugly but fashionable apartment, he jumps at the chance to provide a little material satisfaction for his beloved Elsa. But what exactly does she want?

When he was eight years old, Ferdinand was chosen to play a supporting role along a famous actress. Today, a producer is asking him to write and direct a film about his childhood memories...

A César award winning short film about a young actress who has to disguise her pregnancy bump in order to keep working.

Short film part of Paris Vu Par... 20 Years After

The film is a free adaptation of a travelogue by Victor Segalen. In 1905, the writer described in “Les immémoriaux” the passage from the Maori world to another evangelized world. Marc Giannesine in an article published in Le Monde in 1987 wrote: “But beware, the adventure according to Segalen is a total change of life, of skin. For him, it is not a question of superficially aping the customs of the Maori, but of stripping his own culture in mind to better feel that of others. It is exoticism in the purest sense of the term, as Baudelaire understood it, an art of correspondences between the most diverse things. Henri Hiro, emblematic figure in the Pacific, of the defense of his culture, goes back in time for us by following the text of Segalen.

A man witnesses a suicide and starts imagining that it was a murder committed by himself.