É fim do mês e a vida não está fácil para Pedro e Miguel, vendedores ao domicílio de lâmpadas afrodisíacas, cujo negócio anda pelas ruas da amargura desde o aparecimento do Viagra. Fartos de levar com portas na cara, lembram-se de uma solução brilhante: vender o ¿franchising¿ das suas lâmpadas afrodisíacas a empresários brasileiros que acompanham o Presidente do Brasil na sua visita oficial a Portugal.
A partir da história de António Feliciano ("Eu às vezes sinto que sou o cinema") - um olhar português nos últimos trinta anos, um homem que passou a vida a mostrar imagens aos outros. Reconstituições ficcionadas sobre o seu passado. Um tempo dominado por desaires políticos e económicos, que se reflectem no declínio da exibição cinematográfica - como testemunham os nossos projeccionistas ambulantes.
Two actors performing in Strindberg's "Inferno" as God and Lucifer, find themselves competing in real life as well. One of them, Henrique, has spiritual obsession with John Wayne and his way of walking. He and de Dieu, his fellow actor who plays Lucifer and also directs the Strindberg play, engage in a philosophical and spiritual tug-of-war, especially when they meet an author named God, who has plans for another drama to feature both actors.
At the time Portugal presented a strange spectacle to the rest of Europe. D. Afonso VI, son of the fortunate D. João de Bragança, was in possession of the throne and was an insane imbecile. His wife, daughter of the Duke of Nemours and cousin of Louis XIV, dared hatch a plot to oust her husband from the throne. The king's stupidity justified the queen's bravado. Despite being master of unusual strength and having slept with his wife for a long time, she accused him of being impotent. Marie Françoise had acquired through artfulness what Afonso had lost in anger in the kingdom. She had him imprisoned ( November 1667 ) and quickly obtained a papal bull from Rome to confirm her virginity and bless her marriage to her brother-in-law Pedro. Portugal's submission for the Academy Award for Best Foreign Language Film in 1990.
According to the book Journal Particulier de Paul Léautaud, the love story that was born between him and Marie D., whom he met at the Mercure de France in 1922, on the occasion of an article she wrote to appear.
