James B. Fagan

After marrying an archaeologist, a Victorian-era woman with a sordid past realizes that she is not ready to settle down with one man.

That old theatrical war-horse Bella Donna (previously filmed in America by Alla Nazimova) was resurrected by Britain's Twickenham Studios in 1934. Conrad Veidt stars as sinister Egyptian Mahmoud Baroundi, who even before the film gets under way has left a long trail of ruined women behind him. His latest victim is American girl Mona Chepstow (Mary Ellis), whom Baroundi treats like dirt and makes her like it. The plot centers around a murder by poison, as evidenced by the film's deliberately exotic title. Critics in 1934 praised newcomer Mary Ellis for underplaying her role, but many film fans preferred Nazimova's arm-waving histrionics in the earlier version.

O amor entre um soldado e uma herdeira está ameaçado pelo crime que o pai dele cometeu contra a família dela décadas antes.

A framework story serves as context for a retelling of the Exodus story and, most importantly, a recycling of footage from the silent version of The Ten Commandments.

British officer Capt. Leslie Yeullat is at present on leave in London. Falling in love with Ruth Dangan, the wife of his commanding officer, Yeullat does the gentlemanly thing by suppressing his own emotions for the sake of the Regiment. He goes so far as to resign from his commission and returns to India as a civilian.

Bella Donna, a seductive woman snares Nigel Armine into marriage and he takes her to Egypt to live. Tired of her simple husband, Bella becomes involved with brutish Baroudi.

A light-hearted romantic adventure.

Bella Donna falls for the exotic Baroudi and plots to poison her husband.

The husband and his wife live alone in the mountains, where he is working out a claim. A stranger from a distant mine is injured in the vicinity. The husband nurses him back to health. During his convalescence the stranger persuades the wife to elope with him.