Partha Banerjee

Filmes

Três Obsessões
Assistant Director
Bengal episode film with three stories.
Abaidha - The Demolition Man
Writer
Bimawl, an honest government officer, lives an apparently happy conjugal life with his wife Mouli. Things change when Mouli's college friend visits their home.
Saanjhbatir Roopkathara
Screenplay
'Saanjhbathir Roopkothara' tells the story of a young dreamer. While the title character dreams of beauty, love and happiness, her dreams are broken by her encounter with men she meets(the men are portrayed as lusting objects, with the exception of the father) and ultimately shattered by her father. Beautifully told, through poetry and symbolism, director Anjan Das presents Tukun aka Saanjhbathi's world. Her world is also presented through her father's wonderful paintings from which she draws inspiration. Indrani Halder gracefully plays the title role with sincerity and maturity while Soumitra Chatterjee is sublime.
Dattak
Writer
When the Indian-born Sunil (Rajit Kapoor) stops getting letters from his father back home, he takes a break from his lucrative corporate gig in the States and pays dad a visit. But once in Calcutta, Sunil learns that his father moved away a few years earlier, prompting Sunil to go searching for him. As he follows the scant trail, Sunil starts to understand that his selfish lifestyle bore grave consequences for his father.
The Goal
Screenplay
To win a youth soccer championship, coach Anupam wants to add talented Manu to his team. But the child is from a low caste and the son of a thief, and the players and their families reject him. Anupam's duty is to take the talent to the right place.
The Crossing
Screenplay
Quando um Intocável vence as eleições para prefeito em sua pequena aldeia, motins mortais obrigam um casal a fugir para Calcutá, onde esperam poder encontrar trabalho. Depois de dormirem nas ruas por alguns dias, surge uma chance perigosa, mas encorajadora, de ganhar algum dinheiro.
Our Land
Screenplay
Set during one of India’s main peasant risings, the Telangana insurrection between 1945 and 1951 in the pre-Independence state of Hyderabad, the Bengali director’s first feature tells the story of Chander’s best-known novel (Jab Khet Jaage (1948)) from the peasant’s point of view. A young peasant, Ramiah, rebels against the corrupt rule of the nizam, and when his girlfriend has to submit to the potentate’s sexual coercion, Ramiah leaves. He befriends a Marxist activist (the rising was CPI-inspired) and participates in the Independence struggle.