Sreela Majumdar

Kaushik Ganguly will bring the story of dismissal in his new film ‘Palan’ in the context of 2022. The characters of Kharij will remain the same, the names will not change. The story will change a bit to keep pace with the context of this era.

Popularly called "Rupashi Banglar Kabi", Jibanananda Das is the most read poet after Rabindranath Tagore and Kazi Nazrul Islam in Bangladesh and West Bengal.

The film is based on the struggle of a molestation victim and how she comes out of depression with the help of a few friends. According to the director, the film is the story of many such victims in our society. It talks about the struggles they face in their day-to-day lives.

Amar Challenge is a drama film directed by Nehal Dutta, featuring Ritika and Subham in prominent roles.

Parcel is story of a doctor couple and Nandini the female protagonist suddenly starts receiving some unanimous mysterious parcels with some of her older and recent photographs. This process creates a turbulence in their family and they go verge of terminating their marriage. Nandini tries to find out the root cause anticipating some black mailing purpose with association of her past wrong doings (As per her perception ). Its a multi-layered social story under a health system backdrop where nothing comes as explicit but a fear psychosis based on anticipation jeopardize everything.

A man defies Galileo's theory.

Shankar Mudi (শংকর মুদি) is a Bengali Political drama film directed by Aniket Chattopadhyay and produced by Kaustuv Ray.[1] This film was released on 15 March 2019 under the banner of RP Techvision India Private Limited. Bengali Actor-Director Shri Kaushik Ganguly plays the Titular role[2][3] and music direction of the film was made by Kabir Suman.[4]

In order to reach greater heights in her career, Tomosa is willing to go to any extent. Her over-ambitious nature lands her in a conflict with another woman, highlighting their different approaches towards life.

Regressed Girija's insecurities take over his mind as he suspects that his truthful partner Runu is falling in love with a paying guest.

Arko is a school student who forms a beautiful bond with his teacher, Nayanika. It is more of a relationship between two friends rather than a student-teacher relationship.

Simulpur is a village that believes in superstition so much that the local zamindar uses this ignorance to his advantage until they are all awoken from their ignorance by Parul who is labelled a witch.

Cocooned in the hilly wrap of Kalimpong, divorcee schoolteacher Teesta (Debasree Roy) feels she can't communicate with people any more. She speaks to the mountains instead, and even when a much younger man (Badshah Moitra) tries to ignite her passion, she remains aloof. Her second marriage is on the rocks.

Manosi (Mamata Shankar) devotes her life to taking care of her family. When her son (Jisshu U Sengupta) grows up he doesn't respect her, but she continues to adore him. Her life takes an unexpected turn after her husband dies.

Nandu wants to take over Mastermoshai's property. Meanwhile, his daughter commits suicide after being raped by an evil thug but Mastermoshai's son, Swadhin, and his friend Azad expose the culprit.

A middle-class family struggle to make ends meet. Their only hope is their son Rana who always fights injustice which lands him a job in the police force and takes care of the family.

After being cheated by his brothers and his wife Aparajita, Kalidas disguises himself as a Punjabi singer, Mohan Singh. Unaware that Mohan Singh is her husband, Aparajita falls in love with him.

Puja, a village girl, works for Pratap Chowdhury as his maid. One day, she decides to help his daughter Moina when she learns that her in-laws are torturing her for not giving them dowry.

Based on a short story by Maitreyi Devi, Kalpana Lajmi’s directorial debut tells a story of extramarital affair in the tea gardens of Assam. Famous Assamese singer-composer Hazarika contributes some fine compositions, overcoming the mandatory emphasis on regional folk-music in films set in exotic locales.

Damul (Bonded Until Death) highlights the ill effects of the Bonded Labour System while narrating the story of a bonded labor who is left with no choice but to steal by his landlord.

Subhash é um fotógrafo da cidade, que veio para tirar fotos de alguns templos antigos e ruínas numa aldeia. As ruínas fascinam-no. Enquanto na aldeia, familiariza-se com uma mulher jovem, Jamini, que teve o seu coração partido no passado, por outro visitante da grande cidade. Será que a história se vai repetir, ou ela vai finalmente encontrar uma maneira de sair das ruínas?

1983 film by Gautam Chattopadhyay

The denizens of a brothel deal with internal drama, as well as pressure from greedy land developers and an anti-sex work politician to leave town.

The film is set in during the Emergency period in December 1975. Jadunath a labour union leader, of Jethia Jute Mill in Kolkata has been given death sentence, for the murders of owner Jethia’s brother, and another worker, even though he never committed them. Before dying, he pledges his eyes for donation. However when the mill owner finds about this he tries to manoeuvre the medical system to get both the eyes for his blind son. Meanwhile the doctor discovers that the donation papers provided by the Jethia to be fake. Soon the mill workers get united behind the widow of Jadunath and hold protest rally against the injustice.

A pre-teenager servant boy dies of carbon monoxide poisoning on a cold winter night. He was employed by a young working Calcutta couple with a small boy of their own. Taking money from a neighbor's friendly daughter, he slipped away to watch a movie on a cold winter night. Finding his usual sleeping corner below the stairs too cold, he bolts himself inside the kitchen, where a fire was burning. The next morning we witness a powerful discovery scene like on the morning after Macbeth's murder. The door is forced open and we see the commotion in the apartment block which is the stage of the drama. Who is responsible?

A young, idealistic director arrives in a village to make a picture set during the Great Bengal Famine. It’s a film that he hopes will reveal the problems and privations still current in rural India.

The bread-winning daughter in a middle-class family fails to return from work one evening. The saga begins with worries at home, followed by midnight searches and finally a deepening crisis arising out of economic and moral constraints prevalent in the society. Yet the film speaks of hope and of strength hidden behind despair.

After being accused wrongly of theft, a slightly addled servant runs away to the city, carrying as his only real possession an axe, which he claims to have killed a tiger with. He takes up life among India's throngs of city-dwelling homeless, and for a little while almost has a decent time of it. He has a girlfriend, and one good friend, and gets by through begging and doing odd jobs.