Rodolfo Denevi

Filmes

Cruz de sal
Director of Photography
Chúmbale
Cinematography
A story of authoritarianism, fears, frustrations and love, which revolves around a simple can of paint that unleashes many conflicts, plunging members of a family from a humble neighborhood of Buenos Aires into permanent disagreements.
La herencia del Tío Pepe
Cinematography
A couple of art representatives, harassed by their debts with a mafia organization, invent an "uncle's story" to defraud a group of alleged heirs, posing as the testator's lawyers.
La maestra normal
Director of Photography
Juego limpio
Director of Photography
El artista peripatético
Director of Photography
A dos aguas
Director of Photography
When Rey left Argentina after it fell under a military dictatorship in the late 1970s, he also left behind a very controlling and authoritarian father. Now he has returned to the country from exile for the funeral of his father. Though he left the man behind physically, their relationship still haunts him. Meanwhile, his old college pal Isabel has also returned to Argentina to help her husband and child cope with the effects of her long absence, brought about because she had a politically unsuitable lover. The two returnees are contemplating filming an autobiographical film about their experiences.
El Manosanta está Cargado
Director of Photography
A common man that is tired of being treated as stupid, and starts treating other people the same way, acting as a Brazilian "Manosanta" (folk healer that cures people illnesses).
Chechechela, una chica de barrio
Director of Photography
The Lost Republic II
Cinematography
A history of Argentina's last military dictatorship (1976-1983). After "La Republica Perdida" was made, which covered 1930 to 1976, there was an important part of Argentina's history yet to be told, which was too recent to be covered by the first documentary. The first movie was made at the end of the last dictatorship. This second documentary covers this last dictatorship from 1976 to 1983.
Barbarian Queen
Director of Photography
Set during the days of the Roman Empire. A simple village is raided by Roman troops, and most of the people are whisked off to be slaves or killed. Three women survive and set off to liberate their people. When they arrive at the Roman city, they team up with the local underground to seek vengeance and liberation of the slaves
El telo y la tele
Director of Photography
A sex congress takes place in a hotel, and couples are secretely filmed in a Slivers way by the "scientists".
Yesterday's Guys Used No Arsenic
Gaffer
Mara Ordaz, a former film star who lives in an isolated mansion with her husband, her doctor and her money manager, decides to sell the house and return to Buenos Aires; but the three men do not agree with her decision.