Kurt Herlth

Filmes

Buddenbrooks - 2. Teil
Production Design
Second part of two of the saga of the troubled Buddenbrook family and their business in 19th century Germany.
Buddenbrooks
Art Direction
First part of two of the saga of the troubled Buddenbrook family and their business in mid 19th century Germany.
The Spessart Inn
Art Direction
Countess Franziska "is kidnapped" by a band of robbers. However, her father is not willing to pay the ransom so Franziska changes sides.
Solang es hübsche Mädchen gibt
Production Design
Hokuspokus
Production Design
Marriage in the Shadows
Art Direction
Set during the rise of the Nazi regime, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him.
Marriage in the Shadows
Production Design
Set during the rise of the Nazi regime, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him.
Kein Platz für Liebe
Set Designer
Operette
Art Direction
Operetta (German: Operette) is a 1940 musical film directed by Willi Forst and starring Forst, Maria Holst and Dora Komar. The film was made by Wien-Film, a Vienna-based company set up after Austria had been incorporated into Greater Germany following the 1938 Anschluss. It is the first film in director Willi Forst's "Viennese Trilogy" followed by Vienna Blood (1942) and Viennese Girls (1945). The film portrays the life of Franz Jauner (1832–1900), a leading musical figure in the city. It is both an operetta film and a Wiener Film.
Bel Ami
Production Design
Shortly after being demobilized, Georges Duroy becomes aware of his power over women in the arms of Rachel, a young singer. Thanks to his good looks and his charming manners and his unabashed cynicism he will rapidly rise to the top by courtesy of women women (Mme Walter, Clotilde, Madeleine), from journalist to member of Parliament to cabinet minister. But it is also the fair sex that will cause his fall in the end.
Love in Stunt Flying
Production Design
Mabel is a successful pilot who hates sensational media, but falls in love with Jack, a womanizer journalist with conservative views on gender. When the two of them get married, they make a deal: Mabel will cease to fly as long as Jack doesn't interview any more women. But how long can they keep their pact?
Ride to Freedom
Production Design
Allotria
Production Design
Best friends David and Philip have to end their love affair with their mistress Aimée which they - not knowing of each other - share, because they are going to marry their sweethearts Gaby and Viola. Of course Aimée will not accept her defeat. She interferes the engagement of Gaby and David, which lead to some turbulence and change of horses before they all end up in their honeymoon.