At the beginning of the twentieth century, Yu-liang leaves a brothel in a small Chinese town, to become the second wife of Mr. Pan. While Pan is away at the revolution in Yunnan, Yu-liang learns to paint and takes art classes at the Shanghai Art Institute, until it is closed for painting nudes. Because she cannot bear him a son, Yu-liang leaves Pan to his first wife, and studies art in Paris, where she wins an award for a nude self-portrait. She returns to join Pan in Nanking in the 1930's, and becomes a Professor until it is discovered that she came from a brothel. She returns to Paris to live the rest of her life there, and finally gains a major exhibition of her work.
A portrait of a woman, more intelligent and more ambitious than her husband, who must fight to break with village morality by choosing to have an abortion.
In the snowy countryside of northern China, Wen receives a telegram informing her that her father is dead. She travels to the city and finds he was branded a reactionary in the midst of the Cultural Revolution. She is distraught, and on the way home, she is harassed and attacked by thugs, but she stays in the home of a kind-hearted doctor.
At the tail end of the Cultural Revolution, Qiu Shi, a poet who has been in prison for six years, is transferred elsewhere by boat under the guard of two officers. During transit, he meets a series of passengers, who have also faced hardships in recent times.
Nai Qing is one of them left behind by her husband, who goes to San Francisco. She meets Jia Dong, a taxi driver whose wife is in Japan. They feel lonely and fall in love with each other...Nai Qing is pregnant, she in eager to let Jia Dong know this and call him.
