Francine Bessy

Filmes

L'homme de la nuit
A detective uncovers a crime. The suspects are numerous and it will take all the insight of a journalist to discover the culprit.
We Request a Household
Colette Rouvière
Pierre and Jacques, one of them being disguised as a woman, work for a wacky scientist to find a treasure hidden in his property by Pierre's uncle.
Au pays des cigales
A song editor from Marseille meets the daughter of a showman whom a competitor wants to ruin to get the hand of the young woman.
The Blue Veil
Young dancer
In 1914, in the first months of World War I, Louise Jarraud loses her husband, killed on the front. Shortly after, she gives birth to a baby, who soon dies. Devastated by this double misfortune, Louise decides to dedicate her life to caring for the children of others. She becomes a nurse with several employers, giving her affection to little boys or girls. A widower and another man propose to her but she refuses twice determined as she is to live only for the children in her charge.
Haut le vent
Héléna
In 1906, François left the Basque country with his father, who had decided to settle in Argentina following an incident between him and Esteban. Having become a powerful industrialist, he returned to France in 1940 on the occasion of the signing of a contract. He learns that the Haut-le-Vent estate, occupied by his aunt Anna, is his. Greeted with mistrust by the villagers, he manages to make himself sympathetic and decides to stay on the estate with Gisèle, Esteban's daughter.
Fromont Young and Risler Elder
An ambitious and perverse adventurer sows dissension and ruin in a wealthy family of industrialists.
L'Embuscade
Anne-Marie Guéret
A young man is hired by an industrialist, while a secret hangs over his birth. His boss's wife turns out to be his mother, who hides the truth from him.
La Goualeuse
Marcelle Laubier
French stage favorite Lya Gauty made her screen debut in 1938's La Goualeuse (The Street Singer). The story concerns a poverty-stricken vagabond (Jean Martinelli) who supports himself by singing for pennies in a rough section of town. Only the local barkeeper knows that the vagabond is actually the illegitimate son of a prosperous and highly respected banker (Constant Remy). One would think that the film's dramatic climax would consist of a tearful reunion between father and son. Instead, this scene occurs in the middle of the picture; the rest of the film is a melodramatic melange of high emotionalism and low melodrama, culminating in the boy's suicide. Though billed first, Lya Gauty has an almost peripheral role as the hero's long-suffering sweetheart who sings at the drop of a hat and frequently brings her own hat.