Writer
Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
Director
Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.
Script Coordinator
A moving love story in a time of hatred: During the civil war in Kosovo, the young Serbian widow Danica falls in love with Ramiz, a Albanian soldier who, wounded in battle, seeks refuge in her home on the Serbian side of the River Ibar.
Mirovnjak
O ano é 1980. Halil, um muçulmano, e Milan, um sérvio, são amigos na Iugoslávia. Os dois meninos cresceram juntos. Eles moravam perto de um túnel inacabado, o Túnel da União e da Fraternidade, que deveria ligar Belgrado à Zagreb, servindo como símbolo da Iugoslávia unida. Doze anos depois, estoura a guerra da Bósnia e ambos agora encontram-se em lados opostos.
