Marina von Ditmar

Nascimento : 1914-10-30, Sankt Petersburg, Russia

Morte : 2014-09-03

Filmes

Mutter sein dagegen sehr
Charlotte
Widow Florentine adopted three children. They fear for the love of their new mother when she falls in love with the architect Curt May. With united strength they want to drive him out of the house.
Ruf an das Gewissen
Ingrid, ihre Tochter
Crown Jewels
Helen Fabricius
As foreign troops occupy the country, the government commissions a jeweler to bring the crown jewels to safety.
Komm zu mir zurück
a movie by Heinz Paul
Seine beste Rolle
Barbara Pohl
Die beiden Schwestern
Ulrike Wilkens
When the Young Wine Blossoms
Marna Arvik
An interfering mother plans husbands for her three daughters as they come of marriageable age. However she pays no attention to her daughters own feeling until the eventual intervention of her husband manages to bring things to a happy conclusion.
Barão de Münchhausen
Sophie von Riedesel, die Verlobte von Hartenfeld
Este conto de fadas adulto luxuoso e impudente leva o espectador de Braunschweig do século XVIII a São Petersburgo, Constantinopla, Veneza e depois à lua usando efeitos especiais engenhosos, filmagens impressionantes no local.
Mit den Augen einer Frau
Clari
G.P.U.
Irina
Olga, a Russian refugee from Bolshevik terror, has joined the Soviet secret police to find the man responsible for killing her parents. Meanwhile, a young Baltic couple are caught up in the schemes of the communists.
Stukas
Junge Französin
This Nazi propaganda film details the exploits of a group of German Luftwaffe pilots flying Stukas--fighter-bombers--in the Battle of France in the early days of World War II.
Über alles in der Welt
Brigitte
Nazi cinema produced numerous WW2 military epics, one of the most impressive of which is Ufa's first-rate 1941 production, Uber Alles in der Welt,directed by Karl Ritter (Stukas). Ritter customarily produced morale-building propaganda pictures, and this, his first propaganda film to deal with the war, as well as his finest effort, was one of the highest-grossing pictures of the Third Reich. Set largely in France, England, and Spain, the film chronicles the plight of Germans caught by the outbreak of war and their frantic attempts to return to the Fatherland to join the battle. All of Germany's enemies receive equal disdain. The British, the French, the Poles, and the Jews are portrayed respectively as warmongers, profiteers and cowards. In the end, all that is important is returning to Germany.
Angelika
Anneliese
Weltrekord im Seitensprung
Lore
Dein Leben gehört mir
Liebelei und Liebe
Gerti
A Prussian Love Story
Prinzessin Maria
The film depicts the love affair between William I and Elisa Radziwill.
Liebe kann lügen
Die göttliche Jette
Paula Schönborn
Cheeky Jette is a typical Berlin girl. Together with her mother, she performs couplets in a Berlin suburb theatre every night. Then, a young Austrian baron, who is worshipping Jette, enables her to audition for Königstädtisches Theater. Although she at first fails with an aria from an opera, Jette wins over the hearts of the board members with her fresh style when she performs a cheeky couplet that was written by Barsch, the stage manager of the suburb theater.
Vor Liebe wird gewarnt
Helga Palme
Stadt Anatol
Rosa, eine Tänzerin
Besuch im Karzer
The Csardas Princess
Mädi vom Chantant
Sylva Varescu is an operetta singer performing Kálmán's Die Czardasfürstin through Europe with great success. Before going to Vienna she meets handsome Prinz Weylerstein and they fall in love. Offered a contract for America, she doubts until she finds out that he is already engaged to a countess.
Mother and Child
Consul Petersen and his wife are desperate, because they lost their only child and can’t have another. At the same time, the maid Anna is expecting a child, whose father, Jurgen, works in a sawmill. When both of them lose their jobs, they fear they won’t be able to feed the newborn. Thus, they strike a deal with the Petersens, which works for both couples: Anna and Jurgen will receive a farm from the Petersens, free and clear; and the two will allow the Petersens to adopt the child. Anna and Jurgen marry and are quite happy; but when the child is finally born, Anna doesn’t wish to surrender him and flees with the child into the Wattenmeer.