Snježana Sinovčić

Two days before the wedding, Dragana decides that she will not marry the weak and predictable Momo. His headstrong father Leso strikes a deal with her – to act as the bride just for the day. But instead of saving the family’s honor, it only starts a traumatic farce for everyone involved.

"Dancing on the Grave" shows an unusual family. The characters are at the mercy of each other. Lucana (25) competes with her brother Stjepko (30) to win their mother's affection. Lucana has no chance of winning because she cannot change what's between her legs.

A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.

Marko and Ankica never got over the death of their only child, Ante, in the war. When their neighbour Stipe suggests renting their son’s room to tourists, Marko feels insulted but Ankica manages to talk him into it. Renting rooms is easy money, especially for retired people, but having an unknown man sleeping in his son’s bed troubles Marko.

12-year-old Sofija is seemingly facing a boring summer vacation with two grandmothers. However, new friendships, a first kiss, and long kept family secrets will turn this summer on the idyllic Adriatic island of Hvar into a priceless experience and an unforgettable adventure.

Large waste consists of objects and things that are unsuitable for collection as mixed municipal waste, due to their size or composition. If large waste is irresponsibly disposed of in nature or at illegal dump sites, everyone pays the cost of its removal.

After several miscarriages, Tereza's gynecologist, in an attempt to cheer her up, jokes she should try to conceive with a different partner. This remark shakes up her monotonous life and steers it in a new direction.

Under the burning sun, beachgoers are trying to take advantage of every minute of their paid trip to a desolate beach. Among them are a mother with her grown son, two ladies and their dog, a passive-aggressive married couple, loud Italians, happy Hungarians, and an overweight, possibly dead, German lady.

Summer fruits are refreshing but high temperatures can make them go bad.

Divorced father Marko is hardly ever alone: he is surrounded on all sides by family, friends, co-workers and neighborhood fixers. Yet he is driven to the brink by limited contact with the one person he loves more than anyone – his daughter, who lives with her mother. When he starts the legal proceedings to get more time with his child, he enters the Kafkaesque world of a social-services system in meltdown. His fierce, paternal love for his child is both the source of his misery and his greatest joy.

Em uma pitoresca vila na Dalmácia, há mais funerais do que nascimentos. Fabian (Kresimir Mikic) é um jovem padre indicado para ser o novo pároco desse lugar. Ao ouvir a confissão de um dos fiéis, ele descobre que a baixa natalidade é culpa da alta venda de preservativos. Horrorizado e querendo modificar essa situação, ele tem uma brilhante e drástica ideia: perfurar todas as camisinhas antes que elas sejam vendidas. Para isso, se junta ao jornaleiro Petar (Niksa Butijer) e ao farmacêutico Marin (Marija Skaricic). Só que o "milagroso" "boom" de bebês causa consequências inesperadas.

After the release from prison, small-time criminal is marrying his girlfriend and lives a straight and poor, but happy life with her and her daughter. However, his happiness is shattered by wife's infidelity. Driven mad by jealousy, he kills her and her lover and runs into mountains, thus escaping law for months. This film is based on the true story about Junuz Kečo, last Bosnian outlaw.

A bitter coming-of-age story about boy who grows up in a remote Bosnian village shortly after World War II.