Le Corbusier

This documentary explores Perriand's development from her own perspective, from the 1930s, when she made common cause with Le Corbusier and avant-garde art, to her discovery of Japan, where she was inspired to incorporate aspects of Japanese tradition into her practice of Modernism.

"The Art-collector and the catastrophe" - The untold story of how Sweden lost a world class art collection. Private art collector Theodor "Teto" Ahrenberg obtained art directly by artists like Picasso, Chagall and Matisse. He became friends with the international artists elite. And therefore developed a conflict with the Swedish art establishment. The Director of the Modern museum Pontus Hultén became his nemesis. Revenge to Theodor Ahrenberg would be creating his own art museum of Stockholm. Designed by world-famous architect Le Corbusier.

VOLUME ZERO is an hour-long documentary on the work and the ideas of Charles Correa, one of the world’s most important architects. It deals with his childhood, architectural training, formative years and the paradigm underlying his large and complex oeuvre spanning over five decades – as well as his pivotal role in addressing issues of urbanization in the Developing World. It uses first person narration by the filmmaker, combined with extended excerpts of interviews with Correa, live action, stills, diagrams, animation and archival footage to open up the thought processes that generate architectural space and form.

Documentário relata a trajetória de vida e as opiniões do maior arquiteto brasileiro, que projetou algumas das principais construções de Brasília.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

Documentary filmmaker Nicole Vedre's first semi-fictional feature was released in France in 1949 as La Vie Commence Demain. The film made it to the U.S. in 1952 as Life Begins Tomorrow. Made in cooperation with UNESCO, the film speculates on the future of mankind after the advent of Atomic Energy. Many prominent French artists and intellects contribute to the narration: Jean-Pierre Aumont plays The Man of Today, Andre Labarthe is the Man of Tomorrow, and Jean-Paul Sartre, Daniel Agache, Jean Rostand, Le Corbusier, Pablo Picasso and Andre Gide are respectively seen as "The Existentialist," "The Psychiatrist,' "The Biologist," "The Architect," "The Artist" and "The Author" (talk about typecasting!) Film clips of hospitals, schoolrooms, scientific laboratories, and even nightclubs are woven into Vedre's fascinating tapestry.

Produced for the National Federation of Building Workers Ciné-Liberté, a Popular Front organization intended to counteract capitalist interests in the film industry, Epstein’s union documentary examines building policy from the perspective of ordinary workers and notable architects. In addition to touring the Cathedral of Chartres and the Paris Exposition of 1937, the film features rare interviews with Le Corbusier (at his drawing board, no less) and Auguste Perret.

Regarding Le Corbusier: the man and his architecture