Stjepan Jurčević

Filmes

Kaya
An experimental film about peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the Eve of Italian occupation of the country.
O Grito de Guerra dos Comanches
Old Surehand chega a Mason City seguindo uma nova pista sobre o assassino do irmão, um bandido conhecido como “O General”, que procura há três anos. No entanto, Old Surehand vê-se envolvido num conflito latente entre os colonos e os índios Comanches em estado de guerra e de vingança devido ao assassinato do filho do Chefe. Na companhia do seu fiel amigo Old Wabble, que os as autoridades julgam ser o assassino do irmão de Surehand, e com a ajuda do seu amigo e irmão de sangue de sangue Winnetou, o afável Chefe dos Apaches, Surehand tudo fará para impedir a guerra…
H-8...
Prof. Nikola Tomašević
A bus and a truck are moving towards each other along a two-way traffic highway on a rainy day. At the very beginning we learn that a reckless driver of another car will cause them to collide while trying to pass the bus; we even learn what seats will spell doom for their occupants. The rest of the movie follows two streams of events on the bus and on the truck, getting us to know and like a wide variety of characters, wondering which ones will end up being casualties and holding breath for our favourites. The epilogue brings some more surprises...
Only People
Primarijus Vračić
An one-legged engineer of hydro construction, a war veteran meets a blind girl in a mountain sanatorium of Ophthalmology during winter. She's waiting for a surgery that will restore her eyesight. Soon the two fall in love with each other, but he feels unpleasant because of his handicap she's yet aware of.
It Was Not Useless
Boris Buzančić plays an idealistic young doctor who is assigned a nearly deserted village. The backwards residents at first resent Buzančić's new-fangled methods. Gradually, he proves his worth and wins their confidence. The clincher comes when Buzančić rids the community of a despotic villain.
Don't Look Back, My Son
Ivičin otac
Engineer and leftist illegal Neven Novak runs away from a train in which Ustashas transport their prisoners to the prison camp Jasenovac. He returns to Zagreb and tries to save his son Zoran from an orphanage. During his stay in the orphanage, Zoran was indoctrinated with fascist ideology. When he realizes that his father is an enemy of the regime, he refuses to escape with Zoran to the Partisans' territory. Novak faces his son's antagonism and the police that chase after them.