Director
Producer
A young girl and her new friend investigate a series of supernatural happenings in the Austrian children's film SUMMER WITH THE GHOSTS. Caroline departs from her home in Montreal to join her father a famous film director on the set of his latest film in Austria. When she arrives however she learns of a series of accidents and problems on the film set with everyone at odds to explain how they happened. Suspecting that someone means to sabotage the film she begins to investigate the ancient castle being used as the set. Along with her newfound friend Jakob she discovers that the film's difficulties may in fact have a supernatural cause.
Director
A young girl and her new friend investigate a series of supernatural happenings in the Austrian children's film SUMMER WITH THE GHOSTS. Caroline departs from her home in Montreal to join her father a famous film director on the set of his latest film in Austria. When she arrives however she learns of a series of accidents and problems on the film set with everyone at odds to explain how they happened. Suspecting that someone means to sabotage the film she begins to investigate the ancient castle being used as the set. Along with her newfound friend Jakob she discovers that the film's difficulties may in fact have a supernatural cause.
Director
Producer
One-of-a-kind film, photographs and audio recordings were found in a private collection in Prague. This material documents life in the Theresienstadt concentration camp from the perspective of a woman who would now be 124 years old.
Director of Photography
One-of-a-kind film, photographs and audio recordings were found in a private collection in Prague. This material documents life in the Theresienstadt concentration camp from the perspective of a woman who would now be 124 years old.
Director
One-of-a-kind film, photographs and audio recordings were found in a private collection in Prague. This material documents life in the Theresienstadt concentration camp from the perspective of a woman who would now be 124 years old.
Producer
Lisa has grown up in an orphanage. She is looking forward to her adoption, as she doesn't know that her new parents are about to divorce. The Saber-toothed cat which she meets in a museum intervenes as a "feles ex machina".
Director
Lisa has grown up in an orphanage. She is looking forward to her adoption, as she doesn't know that her new parents are about to divorce. The Saber-toothed cat which she meets in a museum intervenes as a "feles ex machina".
Director of Photography
A curator and a visitor walk through an imaginary museum of recent German history. The focal plane follows the scenario of a tour in that the (subjective) camera simulates a stroll through a museum: in an open field, however.
Producer
A portrait of the poet Jana Černá, daughter of Franz Kafka's lover Milena Jesenská. Behind the bright facade on contemporary Prague, with its travel agencies and McDonalds, there is a tunnel leading to the world behind the postcards. Here, Jana's friends, Prague freaks, poets and philosophers, tell of this exceptional, passionate woman. With the surreal humour of Prague and with a little nostalgia they recall Jana Černá's excesses, her inability to follow rules, and her magnificent lies...
Director of Photography
A portrait of the poet Jana Černá, daughter of Franz Kafka's lover Milena Jesenská. Behind the bright facade on contemporary Prague, with its travel agencies and McDonalds, there is a tunnel leading to the world behind the postcards. Here, Jana's friends, Prague freaks, poets and philosophers, tell of this exceptional, passionate woman. With the surreal humour of Prague and with a little nostalgia they recall Jana Černá's excesses, her inability to follow rules, and her magnificent lies...
Director
A portrait of the poet Jana Černá, daughter of Franz Kafka's lover Milena Jesenská. Behind the bright facade on contemporary Prague, with its travel agencies and McDonalds, there is a tunnel leading to the world behind the postcards. Here, Jana's friends, Prague freaks, poets and philosophers, tell of this exceptional, passionate woman. With the surreal humour of Prague and with a little nostalgia they recall Jana Černá's excesses, her inability to follow rules, and her magnificent lies...
Producer
Director of Photography
Writer
Director
Director of Photography
Reality in Mozambique resembles an unreal nightmare: South Africa refuses to accept the autonomy and independence of this country. More often than not, children are the victims of this situation. Not because they are killed but because they are made into instruments of death. Children in Mozambique are abducted by the Contras and forced to act as murderers of their own people. Their traumatic experiences (abduction, torture, being trained to kill, flight or liberation) and the efforts of the Mozambique government to reintegrate them into society form the basis of this film.
Cinematography
Director of Photography
Film by Lukas Stepanik.
Production Manager
A seven-year-old girl living in Salzburg with her father makes friends with an old witch.
Director of Photography
A seven-year-old girl living in Salzburg with her father makes friends with an old witch.
Director
A seven-year-old girl living in Salzburg with her father makes friends with an old witch.
Director of Photography
Director of Photography
Franz West (1909-85) remembers his youth in Vienna: the variety of the Jewish population of the so called Matzah-Island, his commitment to the worker’s movement of the Red Vienna and the rise of Austro-fascism and National Socialism. West’s masterly narration combined with impressing archive footage illustrate and elucidate the complex Austrian history between WW1 and WW2.
Director of Photography
Vienna in the eighties. An accidental meeting in a restaurant. She, Hannah, is Jewish and has a live-in lover, a young and successful architect. He, Friedrich, is a German and lives permanently in Vienna.
Two worlds collide with another, begin to become entangled in each other. Friedrich too, has his problems. He is a "German", which fascinates and repels Hannah at the same time. She tries to get over her confusion by being ironic and flirtatious. Simultaneously, what she has tried to suppress breaks through in flashbacks...