Sebastián Bednarik

1924: a group of men, amateur footballers of diverse professions and humble origins, set out on a journey towards the greatest adventure of their lives. They depart from Uruguay for Europe to disembark in Paris in its "Crazy Years" where, against all odds, Olympic glory and the amazement of the whole world awaited them. This feat would be the first of others to come in 1928 and 1930.

1924: a group of men, amateur footballers of diverse professions and humble origins, set out on a journey towards the greatest adventure of their lives. They depart from Uruguay for Europe to disembark in Paris in its "Crazy Years" where, against all odds, Olympic glory and the amazement of the whole world awaited them. This feat would be the first of others to come in 1928 and 1930.

Em 1950, o Brasil foi sede e finalista da Copa do Mundo. A nação ansiava pela vitória. Porém, minutos antes do fim da última partida, os uruguaios puseram fim à esperança dos brasileiros.

A 30 years old film director wants to make a documentary about love. His search leads him to a dance for the elderly in an old bar in Montevideo. In this dance he collects 11 stories of love, heartbreak, concrete and unsuccessful dreams, deception, violence and hope. How the future is expected in the final stage of life? Love still?

A 30 years old film director wants to make a documentary about love. His search leads him to a dance for the elderly in an old bar in Montevideo. In this dance he collects 11 stories of love, heartbreak, concrete and unsuccessful dreams, deception, violence and hope. How the future is expected in the final stage of life? Love still?

The film provides a look at the 1980 Mundialito, an international friendly soccer tournament organized by the Uruguayan Soccer Association, which brought together the World Cup-winning national teams and the Netherlands, and was organized in Uruguay during an unconventional political situation.

The film provides a look at the 1980 Mundialito, an international friendly soccer tournament organized by the Uruguayan Soccer Association, which brought together the World Cup-winning national teams and the Netherlands, and was organized in Uruguay during an unconventional political situation.

The Silva family is pioneer and a role model within the community; it shows values and the goal to not let the candombe tradition fade away. Not only do they have an internal hierarchy, but also in his neighbourhood, Waldemar “Cachila” Silva is a respected leader. Cachila decide to pass on his legacy to his sons Matias and Wellington, who should now lead the family business, afro descendants playing candombe, a drum rhythm for the carnival contest and keep the privilege place obtained by the family. Patriarchy, hierarchy and cultural traditions are the concepts that drive this documentary about the life of a man of African descent and a dysfunctional family trying to perpetuate its power, which is crucial for the future of a culture.

The Silva family is pioneer and a role model within the community; it shows values and the goal to not let the candombe tradition fade away. Not only do they have an internal hierarchy, but also in his neighbourhood, Waldemar “Cachila” Silva is a respected leader. Cachila decide to pass on his legacy to his sons Matias and Wellington, who should now lead the family business, afro descendants playing candombe, a drum rhythm for the carnival contest and keep the privilege place obtained by the family. Patriarchy, hierarchy and cultural traditions are the concepts that drive this documentary about the life of a man of African descent and a dysfunctional family trying to perpetuate its power, which is crucial for the future of a culture.

This is the story of a group of veteran musicians joined by two young artists to perform together after more than 20 years of inactivity in the Uruguayan carnival scene. In addition to demonstrating their talent, this film provides a look at their personal lives, lives that have always revolved around the magic of the carnival (Which lasts just a month per year), but that inevitably must make room for their daily life, far from show business and public recognition.

This is the story of a group of veteran musicians joined by two young artists to perform together after more than 20 years of inactivity in the Uruguayan carnival scene. In addition to demonstrating their talent, this film provides a look at their personal lives, lives that have always revolved around the magic of the carnival (Which lasts just a month per year), but that inevitably must make room for their daily life, far from show business and public recognition.

In Montevideo, Sonja cares for her invalid mother, works in a garment factory, and has little going for her. Her neighbor Modesto, an older man who lives alone, types anonymous letters to her. Her mother is difficult -- demanding and miserable, afraid of death. Sonja meets Ernesto, a nurseryman, and finally there may be some possibilities in her life. Does freedom beckon?