Hans-Heinrich Hardt

Rebecca is undecided about what her future life should look like. On the one hand, she is on the path to becoming a teacher, and on the other hand, she doesn't let go of her passion for making films

Andreas wants Kim, but Kim wants something more. She wants a penis. She doesn't want to talk about this with Andreas. And when their best friend, Anna, moves in, it all gets to be a bit much. But if two people feel lonely around each other, can they be less alone when there are three of them?

Sarah and her parents celebrate her confirmation. But instead of eating the lobster on her plate, Sarah hides it under the table. When her father finds the lobster there, he draws the consequences.

Anja and Frank are enjoying their family vacation sailing on the Baltic Sea. Anja leaves their two young children alone on the boat for just a moment and when she returns, they are nowhere to be found.

True love never dies, the loving heart never stops beating ... for Kerstin’s ex Thomas, who she still hopes will come back some day. Instead of Thomas, her mother Charlotte shows up at her door, mid-50s and freshly single again, too. Charlotte moves in with Kerstin and her flatmates, one of who shows her how to use a modern dating app to meet new men. As mom starts dating again, her daughter refuses to let digital reality intrude on her romantic daydreams.

In a single afternoon, the early retiree Hubert Lotzmann manages to dupe his sisters-in-law, to betray his autonomous daughter Bille to the police and to forget his wife Annemarie’s birthday. And when she finds out that he has sucked her beloved budgie into the vacuum cleaner and in the process ruined her longstanding Fuzzbuster 500 vacuum cleaner, Annemarie’s patience runs out and she kicks him out: she gives him exactly two hours till dinner – if he doesn’t return with the repaired appliance, he doesn’t need to bother returning at all!

After many dark years of depression Luca seeks to gain her high school diploma. Her little dog Mata helps her to find motivation and keep a positive attitude towards life...

Tobias and Flasche are childhood friends. However, their alcoholic friendship is doing more harm than good to Tobias, who realizes he should focus on his family and career. Everything changes when Tobias tells this to Flasche.

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

For Neele and her life partner Steff, the dream of having one's own child finally seems to come true: Steff is pregnant. However, there was a confusion in the artificial insemination - instead of their carefully selected sperm donor, they caught a sperm donation from a gay couple: Kalle and Jens also want a baby and consider the confusion as a kind of coincidence. While the two men look forward to their time as active fathers, Neele and Steff see their harmonious trinity at risk.

Follows the lives of different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic few days before Christmas in Frankfurt, Germany.

Philipp Halbe can not read and write. He avoids life, works in a bar at night and does not engage in serious relationships. One day when his daughter Lily, whose mother died in a car accident, is about to die, he has to face the challenges of life and fight for custody. The aim of the film is to raise awareness of the problem of illiteracy and thus to contribute to the de-tabulation.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.