Valerie Thomas

Filmes

Fiddler: A Miracle of Miracles
Producer
The origin story behind one of Broadway's most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when "tradition" was on the wane as gender roles, sexuality, race relations and religion were evolving.
Fiddler: A Miracle of Miracles
Writer
The origin story behind one of Broadway's most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when "tradition" was on the wane as gender roles, sexuality, race relations and religion were evolving.
Underfire: The Untold Story of Pfc. Tony Vaccaro
Writer
The remarkable story of WWII infantryman and photographer Tony Vaccaro, who created one of the most comprehensive, haunting and intimate photographic records of the war using a smuggled $47 camera while developing the negatives in his helmet at night.
Underfire: The Untold Story of Pfc. Tony Vaccaro
Producer
The remarkable story of WWII infantryman and photographer Tony Vaccaro, who created one of the most comprehensive, haunting and intimate photographic records of the war using a smuggled $47 camera while developing the negatives in his helmet at night.
Metrô de Nova York
Producer
O metrô de Nova York serve de palco para uma série de sketches enfocando, ora de forma dramática, ora de forma cômica, ou mesmo romântica, o cotidiano das milhões de pessoas que passam por ali diariamente. Grande elenco que compõe as histórias, sob grandes direções.
O Ouro de Ulisses
Executive Producer
Um apicultor solitário e viúvo cuida dos netos, uma vez que seu filho está preso e sua nora fugiu. Ele tenta lentamente recompor sua família, mas além de toda a dificuldade, ainda tem que lutar contra os antigos comparsas do filho.
Cousin Bobby
Associate Producer
Robert Castle is the idealistic pastor of St. Mary's Episcopal Church in Harlem, and also the cousin of filmmaker Jonathan Demme. Demme's affectionate portrait of his cousin traces Castle's story, beginning with his first parish assignment, in New Jersey in the early 1960s, in an increasingly African-American-populated neighborhood rocked by violence and civil rights protests. The film raises intimate discussions of race, faith and family, while also showing Castle's daily routine as a pastor.