Editor
Following the death of their estranged father, Joni and Wes Carver travel to Arkansas to deal with their inheritance: a rundown house in a rural town, arriving just in time for Decoration Week-end - wherein former residents return to celebrate their ancestors. It is here, in a sea of strangers living and dead, that Joni and Wes finally find their place in the story of their own lives.
Producer
Following the death of their estranged father, Joni and Wes Carver travel to Arkansas to deal with their inheritance: a rundown house in a rural town, arriving just in time for Decoration Week-end - wherein former residents return to celebrate their ancestors. It is here, in a sea of strangers living and dead, that Joni and Wes finally find their place in the story of their own lives.
Cinematography
Following the death of their estranged father, Joni and Wes Carver travel to Arkansas to deal with their inheritance: a rundown house in a rural town, arriving just in time for Decoration Week-end - wherein former residents return to celebrate their ancestors. It is here, in a sea of strangers living and dead, that Joni and Wes finally find their place in the story of their own lives.
Director of Photography
A group of people awaken to find themselves prisoners in a mysterious house with no means of escape. They are each outfitted with electronic devices attached to the base of their skulls. The chemicals that the brain produces when in pain are collected by the devices, and when it collects a predetermined amount, the doors will be opened. In order to escape, they must hurt themselves and each other.
Director of Photography
Farah, a teenager from the USA, is a bit wilder than Nilou, who was brought up in Iran. The pair heads for a lonely hill to spend some time alone listening to music. Their differences begin to make themselves apparent when Farah tries to explain that girls should be less hairy.
