Aya Koretzky
Nascimento : , Tokyo
História
KORETZKY Aya (1983, Japan) is based in Lisbon, Portugal. She was educated in Fine Art and received a masters degree in film. She has worked on several fiction films and documentaries as co-director, cinematographer and editor.
Director
Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.
Herself
Aos 30 anos, Jiro embarcou numa viagem de um ano que se estendeu pela União Soviética, Norte da África, Europa e Estados Unidos. Quase 50 anos depois, sua filha usa várias recordações para recuar no tempo e explorar até que ponto essas aventuras moldaram a opinião do homem sobre o mundo moderno.
Writer
Aos 30 anos, Jiro embarcou numa viagem de um ano que se estendeu pela União Soviética, Norte da África, Europa e Estados Unidos. Quase 50 anos depois, sua filha usa várias recordações para recuar no tempo e explorar até que ponto essas aventuras moldaram a opinião do homem sobre o mundo moderno.
Director of Photography
Aos 30 anos, Jiro embarcou numa viagem de um ano que se estendeu pela União Soviética, Norte da África, Europa e Estados Unidos. Quase 50 anos depois, sua filha usa várias recordações para recuar no tempo e explorar até que ponto essas aventuras moldaram a opinião do homem sobre o mundo moderno.
Director
Aos 30 anos, Jiro embarcou numa viagem de um ano que se estendeu pela União Soviética, Norte da África, Europa e Estados Unidos. Quase 50 anos depois, sua filha usa várias recordações para recuar no tempo e explorar até que ponto essas aventuras moldaram a opinião do homem sobre o mundo moderno.
Music
Through the letters received from friends and family who remained in Japan, the filmmaker recalls the past and reflects on moving to Portugal and leaving Tokyo.
Writer
Through the letters received from friends and family who remained in Japan, the filmmaker recalls the past and reflects on moving to Portugal and leaving Tokyo.
Director of Photography
Through the letters received from friends and family who remained in Japan, the filmmaker recalls the past and reflects on moving to Portugal and leaving Tokyo.
Director
Through the letters received from friends and family who remained in Japan, the filmmaker recalls the past and reflects on moving to Portugal and leaving Tokyo.
Cinematography
The day starts in Lisbon and with it people return to the streets. These men live in a place which is not a home. Martins, the barber from Luanda, Simões with his spears, Manuel and his films and Francisco's silence share a place to rest, a shelter. They have some affinities with the outside world but they communicate through the words that they don't say. Perhaps the differences are clearest in everything that is silenced.
Writer
The day starts in Lisbon and with it people return to the streets. These men live in a place which is not a home. Martins, the barber from Luanda, Simões with his spears, Manuel and his films and Francisco's silence share a place to rest, a shelter. They have some affinities with the outside world but they communicate through the words that they don't say. Perhaps the differences are clearest in everything that is silenced.
Director
The day starts in Lisbon and with it people return to the streets. These men live in a place which is not a home. Martins, the barber from Luanda, Simões with his spears, Manuel and his films and Francisco's silence share a place to rest, a shelter. They have some affinities with the outside world but they communicate through the words that they don't say. Perhaps the differences are clearest in everything that is silenced.
Director
In imperial Russia, Pjotr goes to civil war at the age of 15 to defend the Tsar. While the bolsheviks gain ground he deserts on horseback, leaving behind his mother and brothers. After three years without news from her son, his mother thinks Pjotr is dead until she receives a letter from him. On exhile, Pjotr reads his mother’s letters while he tries to detach from former motherland. This family is revisited through the eyes of Pjotr’s granddaughter, Aya, intertwining facts and dreams, times and generations.
