Writer
An ogre breaks his teeth the day before Saint-Festin, the ogres’ great celebration day. A magician botches his trick of sawing a woman in half, and loses his assistant’s legs. An overequipped hiker gets stuck in the elevator for several days. An old man falls in love with a runaway pair of legs. A mother asks her neighbour to look after her children on the eve of Saint-Festin… In one building, the lives of ten next-door neighbours, or the neighbours of neighbours, intertwine as they grapple with the dramas, joys, surprises and dangers of everyday life.
Screenplay
An ogre breaks his teeth the day before Saint-Festin, the ogres’ great celebration day. A magician botches his trick of sawing a woman in half, and loses his assistant’s legs. An overequipped hiker gets stuck in the elevator for several days. An old man falls in love with a runaway pair of legs. A mother asks her neighbour to look after her children on the eve of Saint-Festin… In one building, the lives of ten next-door neighbours, or the neighbours of neighbours, intertwine as they grapple with the dramas, joys, surprises and dangers of everyday life.
Director
An ogre breaks his teeth the day before Saint-Festin, the ogres’ great celebration day. A magician botches his trick of sawing a woman in half, and loses his assistant’s legs. An overequipped hiker gets stuck in the elevator for several days. An old man falls in love with a runaway pair of legs. A mother asks her neighbour to look after her children on the eve of Saint-Festin… In one building, the lives of ten next-door neighbours, or the neighbours of neighbours, intertwine as they grapple with the dramas, joys, surprises and dangers of everyday life.
Animation
Cucu lives with her mother. Tonight, it is her father's turn to babysit. Except, Arnaud is more used to rave parties than pyjama parties. When it is time to go to bed, Cucu wants her father to read her a story. Arnaud refuses, pretending he is useless at reading. He then starts improvising an impossible love story between Sissi the Empress and Hercules the half-god.
Writer
Cucu lives with her mother. Tonight, it is her father's turn to babysit. Except, Arnaud is more used to rave parties than pyjama parties. When it is time to go to bed, Cucu wants her father to read her a story. Arnaud refuses, pretending he is useless at reading. He then starts improvising an impossible love story between Sissi the Empress and Hercules the half-god.
Screenplay
Cucu lives with her mother. Tonight, it is her father's turn to babysit. Except, Arnaud is more used to rave parties than pyjama parties. When it is time to go to bed, Cucu wants her father to read her a story. Arnaud refuses, pretending he is useless at reading. He then starts improvising an impossible love story between Sissi the Empress and Hercules the half-god.
Director
Cucu lives with her mother. Tonight, it is her father's turn to babysit. Except, Arnaud is more used to rave parties than pyjama parties. When it is time to go to bed, Cucu wants her father to read her a story. Arnaud refuses, pretending he is useless at reading. He then starts improvising an impossible love story between Sissi the Empress and Hercules the half-god.
Writer
Gaston Lampion is an employee in a big insurance company. Extremely skilled for all sorts of calculations, he is nonetheless restrained by his lack of charisma and difficulty for speaking. The erotic commerce of “the ladies of the night” will give him the chance to push himself further.
Director
Gaston Lampion is an employee in a big insurance company. Extremely skilled for all sorts of calculations, he is nonetheless restrained by his lack of charisma and difficulty for speaking. The erotic commerce of “the ladies of the night” will give him the chance to push himself further.
Screenplay
Popolo, a magician full of spirit who works at a small circus, loses the legs of his beloved assistant Amabilé during the act of the woman cut in half. Of course, she gets mad at him, especially when they are both fired. To cheer her up, Popolo promises to pay her a vacation, but he needs to find a job first, any job.
Animation
Popolo, a magician full of spirit who works at a small circus, loses the legs of his beloved assistant Amabilé during the act of the woman cut in half. Of course, she gets mad at him, especially when they are both fired. To cheer her up, Popolo promises to pay her a vacation, but he needs to find a job first, any job.
Editor
Popolo, a magician full of spirit who works at a small circus, loses the legs of his beloved assistant Amabilé during the act of the woman cut in half. Of course, she gets mad at him, especially when they are both fired. To cheer her up, Popolo promises to pay her a vacation, but he needs to find a job first, any job.
Writer
Popolo, a magician full of spirit who works at a small circus, loses the legs of his beloved assistant Amabilé during the act of the woman cut in half. Of course, she gets mad at him, especially when they are both fired. To cheer her up, Popolo promises to pay her a vacation, but he needs to find a job first, any job.
Director
Popolo, a magician full of spirit who works at a small circus, loses the legs of his beloved assistant Amabilé during the act of the woman cut in half. Of course, she gets mad at him, especially when they are both fired. To cheer her up, Popolo promises to pay her a vacation, but he needs to find a job first, any job.
Director
Two cowboys look for a bullet in the desert.
Director
A pen, colored pencils ...
Decorator
Cowboys aren't afraid to die. Their death, always spectacular, is the grand finale of a tragic destiny. But when a cowboy messes up his exit, when he seems to hesitate awkwardly between life and death, the Western turns to the absurd.
Writer
Cowboys aren't afraid to die. Their death, always spectacular, is the grand finale of a tragic destiny. But when a cowboy messes up his exit, when he seems to hesitate awkwardly between life and death, the Western turns to the absurd.
Screenplay
Cowboys aren't afraid to die. Their death, always spectacular, is the grand finale of a tragic destiny. But when a cowboy messes up his exit, when he seems to hesitate awkwardly between life and death, the Western turns to the absurd.
Director
Cowboys aren't afraid to die. Their death, always spectacular, is the grand finale of a tragic destiny. But when a cowboy messes up his exit, when he seems to hesitate awkwardly between life and death, the Western turns to the absurd.
Animation
Hurrah! Tomorrow is the 40th of November. It's Saint Feast Day, the great celebration of ogres, so hurry up now if you have not caught a child yet. And good hunting!
Screenplay
Hurrah! Tomorrow is the 40th of November. It's Saint Feast Day, the great celebration of ogres, so hurry up now if you have not caught a child yet. And good hunting!
Decorator
Hurrah! Tomorrow is the 40th of November. It's Saint Feast Day, the great celebration of ogres, so hurry up now if you have not caught a child yet. And good hunting!
Writer
Hurrah! Tomorrow is the 40th of November. It's Saint Feast Day, the great celebration of ogres, so hurry up now if you have not caught a child yet. And good hunting!
Director
Hurrah! Tomorrow is the 40th of November. It's Saint Feast Day, the great celebration of ogres, so hurry up now if you have not caught a child yet. And good hunting!
Screenplay
Short film.
Writer
Short film.
Director
Short film.
Director
At the request of his wife Hermeline, Renart tells their youngest child, Rovel, some of his best tricks.