Mario De Candia

Yuri Pelagatti is a stage actor who is left jobless after a traumatic separation that resulted in his inability to remember his lines. Arturo Merlino is a shabby “investigator” who chases cats escaped from their homes. When Arturo and Yuri cross paths, Yuri is under the mistaken impression that Arturo is a consummate professional. He contracts Arturo to follow his ex-wife in order to find proof of her infidelity. But when he accidentally comes into the possession of a mysterious suitcase containing 1 million Euro, a series of hilarious troubles and daring adventures will result in an unpredictable finale…

David loses his white collar job, his fiancée and his house after one night with con man Marcello. He tracks him down to exact revenge, but ends up becoming his disciple in order to win back everything.

Em meio à um violento divórcio, os pais infantis e egoístas de Aria estão preocupados demais com suas carreiras e casos extra-conjugais para cuidar adequadamente das necessidades da filha. Enquanto suas duas irmãs mais velhas são mimadas, Aria é tratada com fria indiferença. No entanto, ela deseja amar e ser amada. Na escola, Aria se destaca academicamente, mas é considerado um desajuste por todos. Ela é mal compreendida. Expulsa da casa de ambos os pais, abandonado por todos, até mesmo por sua melhor amiga, Aria vagueia pela cidade com sua mochila e seu gato preto, tentando preservar a sua inocência da falta de esperança.

Um pirata rebelde e egoísta decide sepultar seus desejos de vingança e sua ambição desmedida e encarar uma nova maneira de enxergar o mundo.

Claudia is your typical thirtysomething urban woman going through a life crisis. She is a hypochondriac with a stressful job and a boring partner. Her unlikely saviour is none other than her mother, a former hippie who gives her an amulet that belonged to her great-grandmother.

A serial killer, called the Iguana, is terrorizing Bologna. He is able to change continuously identity. Grazia is investigating trying to find out the truth about the Iguana.

No-budget satire on the bleak state of Italian film industry & distribution circa late-'80s-to-early-'90s. Mercurio, a down-to-earth, perennially underseen independent filmmaker, tries to get a distribution company to release his latest movie.

Very rare Italian horror anthology from 1994, starring amongst many others, Asia Argento. This Italian movie is an anthology based with no linking material, only that all of the stories have a horror/suspense/surreal theme. The stories are diverse, ranging from routine stories with twist-endings to social satire. The directing styles are equally as eclectic - compare the frenetic Peter Jackson-style opening segment, Our Guys Are Coming to the surrealistic, dreamlike qualities of Outlook.

Very rare Italian horror anthology from 1994, starring amongst many others, Asia Argento. This Italian movie is an anthology based with no linking material, only that all of the stories have a horror/suspense/surreal theme. The stories are diverse, ranging from routine stories with twist-endings to social satire. The directing styles are equally as eclectic - compare the frenetic Peter Jackson-style opening segment, Our Guys Are Coming to the surrealistic, dreamlike qualities of Outlook.

June 27, 1980, an Italian DC 9 flying from Bologna to Palermo falls in the sea close to the Ustica island. 81 people die. The official version is "structure failure" of the airplane, but a number of clues lead the journalist Rocco Ferrante toward a different truth. Thanks to his perseverance against the invisible wall erected by air force officers, politicians, judges, secret agents, we come to know that, with all probability, the DC 9 has been mistakenly shot by a missile during a sort of air fight among U.S., French and Libyan top guns.

Paulino and Carmela are husband and wife, troubadours touring the countryside during the Spanish Civil War. They are Republicans, and with their mute assistant, Gustavete, they journey into rebel territory by mistake. They are arrested, fear a firing squad, and receive a reprieve from an Italian Fascist commander who loves the theatre. He arranges a performance for his troops, bargaining with Paulino to stage a burlesque of the republic in exchange for the actors' freedom. Will the fiery and patriotic Carmela consent?