Colorist
Halim has been married to Mina for a long time, with whom he runs a traditional caftan store in the medina (old town) of Salé, Morocco. The couple has always lived with Halim's secret – his homosexuality – about which he has learned to keep quiet. However, Mina's illness and the arrival of a young apprentice upsets this balance. United in their love, each will help the other face his fears.
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After breaking up with Boris, Lara returns to her hometown Barcelona. There, her friends, lovers and the Catalan traditions of the ’castells’ will change her dreams and desires.
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Ever since 25-year-old Gabi has lived alone in her caravan on the edge of the forest, a mysterious beast prowls around at night.
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Director
In 1928, Germaine Dulac shot the film The Seashell and the Clergyman, which was based on the script of the surrealist poet Antonin Artaud. However, their co-operation ended in dispute which in fact culminated during the premiere of the film on February 9, 1928 at Studio des Ursulines. That night, as well as the scandal it caused, was indelibly printed on film history. Shot in the same cinema as that of the premiere, this documentary gives an account of the attack and booing against Dulac, primarily provoked by Antonin Artaud, André Breton and Louis Aragon. Alain Virmaux, a connoisseur in surrealism and particularly Artaud’s, recounts the period prior to the premiere and expounds the different versions of that night. Also, the documentary pays tribute to the Ursulines Studio, a landmark cinema of 1920s avant-garde film.
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Lila suffocates in her brother's hospital room, she his the road. Vintimiglia. Women are loading a truck for a food distribution for refugees who try to cross the border. It's ramadan, they must eat before the prayer. Carrying bread loafs in her arms, Lila meets Youssef. Youssef doesn't speak a word of french and he's starving.
