Robert Lee King

Filmes

Bad Actress
Director
Alyssa Rampart Pillage is a washed up TV queen whose career has been reduced to starring in commercials for her husband Bernie’s appliance empire. When their tree hugging daughter Topanga dies in a tragic golf ball accident, Bernie goes off the spiritual deep end and tries to give away their fortune with disastrous results. But what starts off as tragedy quickly turns into career re-invention for Alyssa. And as the body counts rises, so does her star. Bad Actress is a guilty pleasure of a film that gleefully mocks the world of Hollywood and Fame, which reminds us that Justice has nothing on Celebrity.Written by Anonymous (www.imdb.com).
Pode Bater Que Ela é Francesa
Writer
Starla Grady é a garota mais popular da escola. Patricinha de carteirinha, ela é a líder da torcida e candidata a apresentadora de TV. Starla reina absoluta. Para vencer o concurso de miss, aceita publicamente receber uma estudante francesa em sua casa. Uma boa ação que funciona como um tiro pela culatra. Entra em cena Genevievi, do tipo mignon e recatada, a garota não faz sombra para Starla. Ou melhor, não fazia. Aos poucos a francesinha vai se soltando e mostrando a todos que não está para brincadeira. Seu plano é tomar o lugar de Starla e daí em diante ser a estrela do pedaço.
Horror na Praia Psicodélica
Director
Chicklet Forrest (Lauren Ambrose) é uma jovem de 16 anos que nunca foi beijada. Ela adora surf e mora com sua mãe e com Lars (Matt Keeslar), um estudante sueco. Decidida a aprender a surfar, ela parte para uma cidade praieira, em busca de alguém que a ensine. Porém, Chicklet tem um problema: ela sofre de múltipla personalidade, mas não sabe disso. Até que, quando assassinatos brutais começam a ocorrer na cidade, ela logo se torna suspeita dos crimes.
Boys Life
Writer
Each of the three short films in this collection presents a young gay man at the threshold of adulthood. In "Pool Days," Justin is a 17-year old Bethesda lad, hired as the evening life guard at a fitness center. In the course of the summer, he realizes and embraces that he's gay. In "A Friend of Dorothy," Winston arrives from upstate for his freshman year at NYU. He has to figure out, with some help from Anne, a hometown friend, how to build a social life as a young gay man in the city. In "The Disco Years," Tom looks back on 1978, the year in high school that he came out of the closet after one joyful and several painful encounters
Boys Life
Director
Each of the three short films in this collection presents a young gay man at the threshold of adulthood. In "Pool Days," Justin is a 17-year old Bethesda lad, hired as the evening life guard at a fitness center. In the course of the summer, he realizes and embraces that he's gay. In "A Friend of Dorothy," Winston arrives from upstate for his freshman year at NYU. He has to figure out, with some help from Anne, a hometown friend, how to build a social life as a young gay man in the city. In "The Disco Years," Tom looks back on 1978, the year in high school that he came out of the closet after one joyful and several painful encounters
The Disco Years
Producer
Tom Peters looks back to 1978, the year in high school that he came out of the closet. Tom's mom is both sweet and intrusive, urging him to take out girls. She also drags him to her disco-dancing lessons. His friendship with Matt becomes his first love, and then Matt turns on Tom with homophobic venom. Later, Matt and Matt's new girlfriend trash the classroom of an effeminate teacher with more vicious homophobia. At first, Tom joins in heaping scorn on the teacher, then he has to decide if it isn't time to open the closet door. A crisis of sorts ensues with his mom, and disco proves to be a balm.
The Disco Years
Writer
Tom Peters looks back to 1978, the year in high school that he came out of the closet. Tom's mom is both sweet and intrusive, urging him to take out girls. She also drags him to her disco-dancing lessons. His friendship with Matt becomes his first love, and then Matt turns on Tom with homophobic venom. Later, Matt and Matt's new girlfriend trash the classroom of an effeminate teacher with more vicious homophobia. At first, Tom joins in heaping scorn on the teacher, then he has to decide if it isn't time to open the closet door. A crisis of sorts ensues with his mom, and disco proves to be a balm.
The Disco Years
Director
Tom Peters looks back to 1978, the year in high school that he came out of the closet. Tom's mom is both sweet and intrusive, urging him to take out girls. She also drags him to her disco-dancing lessons. His friendship with Matt becomes his first love, and then Matt turns on Tom with homophobic venom. Later, Matt and Matt's new girlfriend trash the classroom of an effeminate teacher with more vicious homophobia. At first, Tom joins in heaping scorn on the teacher, then he has to decide if it isn't time to open the closet door. A crisis of sorts ensues with his mom, and disco proves to be a balm.