Script Supervisor
In this cinematic adventure, a close-knit group of friends sets out on a mission to experience the euphoria of marijuana. Their journey is riddled with challenges, from enduring painfully long waits for deliveries to dealing with suppliers whose reliability is questionable at best. Through a series of unexpected twists and turns, the film vividly depicts the friends' quest to secure and enjoy cannabis. It captures the authentic and releasable experiences, as well as the shared frustrations that often accompany the process of acquiring and indulging in weed. At its core, the narrative emphasizes the critical importance of a trustworthy connection and the reliability of their supplier, weaving an engaging and entertaining portrayal of the trials and triumphs encountered along the way.
Costumer
An ode to the terrible yet beautiful but fleeting life.
Art Direction
An ode to the terrible yet beautiful but fleeting life.
Editor
An ode to the terrible yet beautiful but fleeting life.
Executive Producer
An ode to the terrible yet beautiful but fleeting life.
Cinematography
An ode to the terrible yet beautiful but fleeting life.
Screenplay
An ode to the terrible yet beautiful but fleeting life.
Director
An ode to the terrible yet beautiful but fleeting life.
Andrea
An ode to the terrible yet beautiful but fleeting life.
Screenplay
50 years ago, the Martinez brothers went on a bicycle trip from Mexico to Canada with only 100 dollars on their pocket. 50 years later they guide us on the same trip on van.
Director
50 years ago, the Martinez brothers went on a bicycle trip from Mexico to Canada with only 100 dollars on their pocket. 50 years later they guide us on the same trip on van.
Translator
On February th 1970, Carlos Castañeda de la Fuente tried to assassinate the Mexican President to avenge the Tlatelolco massacre from October 2nd 1968, defying the most repressive regime in the contemporary Mexican history. Forty years later, this failed avenger survived the system´s disproportionate retaliation, only to wander Mexico City´s streets as a vagrant.
Director
Esmeralda tem uma obsessão incomum: ela coleciona objetos perdidos, esquecidos ou descartados e os guarda em uma caixa. Esse objetos representam tanto a ausência da comunicação como a sua possibilidade.
