Tonino Nardi

Toscana, agosto 1944: os Aliados acabaram de entrar em Florença, numa Itália devastada pela guerra, e as pessoas estão com fome. "Dieci", que afirma ter sido um boxer e um gerente, reúne um grupo de homens jovens, a fim de organizar lutas de boxe para conseguir algo para comer. Enquanto estão indo para Monteriggioni em um caminhão velho, Diece resgata o negro norte-americano, o soldado Washington, das mãos de uma família italiana. Mais tarde, ele convida a fascista Rosa, que teve seu cabelo cortado como um homem para mostrar que ela era uma traidora, para se juntar ao grupo. Quando eles se encontram com uma tropa de soldados norte-americanos, eles são convidados a se apresentarem em sua base. De volta à estrada, eles encontram Wilma, que pede uma carona e os convida a uma festa de casamento. Durante a viagem, eles aprendem lições de vida, amizade e traição.

Antonio, a policeman (carabiniere), has an order to take two children (Rosetta and her brother Luciano) from Milan to Sicily to an orphanage. Their mother has been arrested for forcing Rosetta (11 years old) to work as a prostitute. First the relation between Antonio and the children is tough, but it relaxes so they become temporary friends.

Marked by her father's strong presence, since he is a rich and powerful businessman, the beautiful Berenice investigates his love life, to feel closer to him. With her findings, their relationship becomes mixed with a strong sense of seduction.

Crossword-solving waitress Gloria falls for a womanizing TV repairman.

Palermo 1936. Um funcionário do governo fascista, Tommaso Scalia, cometeu três assassinatos e se espera que seja condenado a pena capital, mas um juiz é contra a opinião geral, e partidário da prisão perpétua e tentará impedir a condenação de morte.

A thief caught red-handed tells the landlord a very strange fact that happened to him looking through the keyhole of another apartment where he was stealing.

A woman director is making a film about Billie Holiday. She wants to learn from her how to "feel" again, how to love again.

Professor Paris Catalano visits Venice, to investigate the last known appearance of the famous vampire Nosferatu during the carnival of 1786.

The adventures of a couple of scoundrels in the Spain of the 16th century.

Tommaso, a quiet, thoughtful child of five, lives in a world of his own, conversing daily with three imaginary friends. Seemingly loved by his parents, Tommaso senses that their affections are superficial and he yearns for something more.

The son of a university professor discovers his father's secret life and has to decide what to do about it.

The story of a turbulent relationship between Elisa, a mentally unstable young woman, and her psychiatrist who, meets her after she's hospitalized when she faints in a subway station. He advises her to stay in the hospital, but she wants to feel free.

Wealthy woman and her Ethiopian maid form a friendship.

A disaffected media executive spends his days watching violent programming on the television screens in his office and his evenings neglecting his frustrated wife at home. The monotonicity is disturbed when he is contacted by an old friend who confides in him he is being threatened by mysterious assassins.

Directed by a group of avant-garde filmmakers, the film is an investigation of the less edifying aspects of film industry.

Adaptation of Goethe's novel.

The young Luca grew up with his uncle Augusto, owner of a shoe store. The latter, determined to "start" the clumsy nephew sexually, takes him to a brothel in Florence and throws him into the arms of the stupendous prostitute Nerina, of whom Luca falls hopelessly in love.

A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.

An Italian film

Engel und Puppe is the first film by Italian filmmaker and writer Ellis Donda. Screened at Oberhausen in 1975, Engel und Puppe is a political adaptation of some lines from Rilke's Duino Elegies, featuring the French poet Jacqueline Risset and a young Rossella Or (soon to become an avant-garde theatre actress).

In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones. Thus the erotic is not for shocking, but to stress that making music involves the body in a very direct way.