Eloy Domínguez Serén
Nascimento : , Galiza
História
Eloy Domínguez Serén was born in 1985 in Simes (Galicia). He studied in Salamanca, Milano and Barcelona, where he graduated in 2010. Before debuting as a filmmaker he worked as a film critic for both radio and press, becoming a member of the Youth Jury at 67th Biennale di Venezia in 2010. In 2012 he immigrated to Sweden, where he made his short film Pettring. In 2014 he released two new projects, the short film I Den Nya Himlen (premiered at Stockholm Film Festival) and the mediumfeature film Jet Lag (programmed at FID Marseille, Museum of the Moving Image, Doc’s Kingdom and Etats Généraux de Lussas, among others). His film No Cow on the Ice was premiered in 2015 at Visions du Réel and awarded at Filmadrid, Play-Doc and L’Alternativa; while his two mosts recent works, the shorts films YELLOW BRICK ROAD and RUST, have been premiered at Jihlava IDFF and FID Marseille, respectively. He is currently working in Vintersolverv, a Norwegian production shot in the Arctic Circle, and Hamada, a Swedish production set in Western Sahara.
Director
Two close friends and fellow filmmakers maintain an intimate, transoceanic filmic correspondence between Galicia and Colombia over the course of three years. In these filmed letters both authors are open and familiar, meditative and confessional, making us participants in a sincere friendship.
Editor
Santi is a teenage father who lives in a small coastal town. During the day he has a job as a fisherman, while at night he smuggles seafood. While his girlfriend Lucia takes care of their baby all by herself, Santi, absent and overwhelmed by responsibility, seeks refuge and redemption in the sea.
Script
Santi is a teenage father who lives in a small coastal town. During the day he has a job as a fisherman, while at night he smuggles seafood. While his girlfriend Lucia takes care of their baby all by herself, Santi, absent and overwhelmed by responsibility, seeks refuge and redemption in the sea.
Director
Santi is a teenage father who lives in a small coastal town. During the day he has a job as a fisherman, while at night he smuggles seafood. While his girlfriend Lucia takes care of their baby all by herself, Santi, absent and overwhelmed by responsibility, seeks refuge and redemption in the sea.
Sound Designer
Each year in Galicia, one of the oldest forms of carnival is celebrated. Characters wear spectacular costumes, which include showy masks and a belt from which hang large and sonorous cowbells, and they run through the village, beating the visitors with their whips.
Producer
Each year in Galicia, one of the oldest forms of carnival is celebrated. Characters wear spectacular costumes, which include showy masks and a belt from which hang large and sonorous cowbells, and they run through the village, beating the visitors with their whips.
Editor
Each year in Galicia, one of the oldest forms of carnival is celebrated. Characters wear spectacular costumes, which include showy masks and a belt from which hang large and sonorous cowbells, and they run through the village, beating the visitors with their whips.
Director of Photography
Each year in Galicia, one of the oldest forms of carnival is celebrated. Characters wear spectacular costumes, which include showy masks and a belt from which hang large and sonorous cowbells, and they run through the village, beating the visitors with their whips.
Director
Each year in Galicia, one of the oldest forms of carnival is celebrated. Characters wear spectacular costumes, which include showy masks and a belt from which hang large and sonorous cowbells, and they run through the village, beating the visitors with their whips.
Editor
Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.
Cinematography
Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.
Screenplay
Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.
Director
Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.
Editor
A deserted, snow-covered landscape. An unknown place and time. An anonymous, timeless man slides into a devastated industrial building. He is enclosed by ruins and rust, witnesses of time. He advances among shadows and debris, following a ritual as precise as it is cryptic. Polyphony of materials. The past resonates at every step. Echoes of a presence. A solitary figure fluctuates on an abyss.
Cinematography
A deserted, snow-covered landscape. An unknown place and time. An anonymous, timeless man slides into a devastated industrial building. He is enclosed by ruins and rust, witnesses of time. He advances among shadows and debris, following a ritual as precise as it is cryptic. Polyphony of materials. The past resonates at every step. Echoes of a presence. A solitary figure fluctuates on an abyss.
Director
A deserted, snow-covered landscape. An unknown place and time. An anonymous, timeless man slides into a devastated industrial building. He is enclosed by ruins and rust, witnesses of time. He advances among shadows and debris, following a ritual as precise as it is cryptic. Polyphony of materials. The past resonates at every step. Echoes of a presence. A solitary figure fluctuates on an abyss.
Director of Photography
Language and landscape as a gate into a new life. A young Galician filmmaker emigrates to Sweden, where he performs different part-time jobs. His learning of a new language and fascination for the Swedish landscape become a driving force against the difficult life conditions. As he learns about the culture, society and lifestyle, he develops a new identity.
Writer
Language and landscape as a gate into a new life. A young Galician filmmaker emigrates to Sweden, where he performs different part-time jobs. His learning of a new language and fascination for the Swedish landscape become a driving force against the difficult life conditions. As he learns about the culture, society and lifestyle, he develops a new identity.
Director
Language and landscape as a gate into a new life. A young Galician filmmaker emigrates to Sweden, where he performs different part-time jobs. His learning of a new language and fascination for the Swedish landscape become a driving force against the difficult life conditions. As he learns about the culture, society and lifestyle, he develops a new identity.
Director
Diego works the night shift in an isolated gas station close to the Galician-Portuguese border. His work is solitary, silent, monotonous, somniferous. One night, two unexpected visitors show up and unsettle the routine of the place.
Director
A young Galician filmmaker keeps a film diary about his first months as an immigrant in Sweden, where he works as a construction laborer.
Writer
Director
