Anne Caudry

An adaptation of Les A.M.I. du Tassili by the Algerian Akli Tadjer about Algerian immigration in France.

Can a loving relationship of eight years go down the drain because of a single moment of carelessness? Virginie and Laurent have always treasured fidelity, but Laurent's opinions and appetites are starting to shift with the times.

A young man wakes up one day transformed into a giant insect.

In this surreal, overstated, black-and-white film by Marcel Schuepbach, a young woman is slowly driven to near insanity by an inner desire for a passionate existence, while she lives a dull life at her grandmother's country home. The grandmother recalls how her own daughter lost hold of sanity and died on her lover's grave -- and she begins to see similarities in her granddaughter's behavior.

To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.

After a feminist is found murdered in her own home, a police detective investigates the crime with the help of several determined women.

O filme acompanha quatro famílias, de diferentes nacionalidades (francesa, alemã, russa e americana), mas com a mesma paixão pela música, das décadas de 1930 a 1960. As várias linhas da história se cruzam repetidamente em diferentes lugares e épocas, com suas próprias partituras temáticas que evoluem com o passar do tempo. O principal acontecimento do filme é a Segunda Guerra Mundial, que reúne as histórias das quatro famílias musicais e mistura seus destinos. Embora todos os personagens sejam fictícios, muitos deles são vagamente baseados em ícones musicais históricos (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) A sequência de dança do Boléro no final reúne todos os fios.

Raphaël de Valentin is a tormented, hopeless and penniless young aristocrat. An old antique dealer gives him a sorrowful skin that has the power to grant all the wishes of its owner. But he warns him: with each wish granted, the size of the skin will shrink.

Based on Molière's play. The children of Harpagon, Cléante and his sister Elise, are each in love but they still haven't spoken to their father yet. Harpagon is a miser who wants to choose the right man and the right woman for his children. When Cléante, at last, tries to speak to Harpagon, the old man informs the family that he wants to marry Marianne, the young girl loved by Cléante. Unaware of his son's sorrow, Harpagon doesn't understand why Cléante has become so angry with him.

A brother, Earland Josephson, returns to his family home to visit his sister in the Italian countryside. He brings with him his young male lover. In the house with the sister are two women, one of whom, Mariangela Melato, takes care of the farm. The two women are friends and lovers since childhood and one senses that Melato's relationship is shadowed by the relationship she had with her mother shown through wonderful flashbacks. The brother also has wonderful memories of his and his sister's childhood in that same house with their father who was a magician. Following a night out at a lovely restaurant in the woods, other memories of the past are aroused in the Brother. The next day they all plan to drive to Venice where his sister sang opera in her youth for a holiday. Fate intervenes.

The independently-minded daughter of lower-middle class French shopkeepers, Brigitte, one of three sisters, refused to marry the father of her child when she became pregnant. In this film, she reminisces about her family life beginning when she was about five years old, up to the present when she is in her early 20s. Of her two sisters, one has a nervous breakdown and the other one becomes something of a baby factory. Colorful anecdotes of her eventful life lend additional depth to her insights.