Péter Lichter
História
Péter Lichter is an experimental filmmaker. He publicated two poetry books at the age of 16 and 20. He studied film history and film theory at the ELTE University, Budapest. He writes his PhD-thesis about the relationship of american avante-garde cinema and the science-fiction movies. Peter makes short, found-footage, abstract experimentals and lyrical documentaries since 2002. His films were screened at festivals and venues like: Tribeca Film Festival - New York; Rotterdam IFF; Oberhausen Film Festival; Cinema 16 - New York; EXiS - Seoul; VideoEX - Zurich; MisALT – San Francisco; MIA - Los Angeles; Angers Premier Plans; Klex – Kuala Lumpur; Director Lounge – Berlin; Hungarian Film Week, etc. He is also one of the editors of the Prizma film-periodical. Peter frequently collaborates with composer Ádám Márton Horváth.
Director
Dr. Moreau is an abstract horror short, adapted from H.G.Wells' classic novel, that will invite the viewer to board on a tangible journey to the borders of science, where the differences between nature and humanity are blurred.
Director
A collage crime movie from the first novel of Agatha Christie.
Director
The impression of the work of philosopher Rudolf Arnheim, woven into a desktop collage, is based on a visit to Disneyland, an iconic cultural product reflected in Arnheim’s texts, photographs, and audio compositions, with a central consideration of the ways in which film distances itself from reality or the impression of realism.
Editor
The Philosophy of Horror – A Symphony of Film Theory is an abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. Our film uses hand painted and decayed 35 mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).
Director
The Philosophy of Horror – A Symphony of Film Theory is an abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. Our film uses hand painted and decayed 35 mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).
Producer
Documentary footage, Hollywood cinema and video games collide, overlap and submerge into each other in a Dadaist collage inspired by the poetry of Hungarian poet Mário Z. Nemes. The hypermedia nature of the present is emphasised by fragments that are free of a clear narrative backbone.
Director
Documentary footage, Hollywood cinema and video games collide, overlap and submerge into each other in a Dadaist collage inspired by the poetry of Hungarian poet Mário Z. Nemes. The hypermedia nature of the present is emphasised by fragments that are free of a clear narrative backbone.
Director
The Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).
Writer
Um filme de Péter Lichter
Editor
Um filme de Péter Lichter
Director
Um filme de Péter Lichter
Co-Producer
Chronicling the history of his family from 1787 to now while looking for the answers to some buried secrets regarding certain relatives, Roger Deutsch (The Boy on the Train) soothingly voices over his latest effort - a poetic, travelogue-esque 30-minute documentary which takes the viewer on an engaging personal journey from Hungary to America and back via beautiful vintage photographs, grainy home videos (that often look better than professional and persistently stand the test of time), as well as his own impressionistic footage, with the unique experience enhanced by excellent musical choices. —Nikola Gocic
Director
"Közért" (translation: "for the public") was a government owned chain of stores in Hungary, during the communist era (1948-1989). The word Közért is still used in the Hungarian language. Our film was made from the 35 mm celluloid raw footage of its advertisement: the film strips were digged in the soil, rotten with food and cut up in pieces.
Writer
A retelling of Shakespeare's play from within the mind of the protagonist. The psychedelic appeal of the film was created with hand painted and rotten 35 mm and 16 mm celluloid strips.
Director
A retelling of Shakespeare's play from within the mind of the protagonist. The psychedelic appeal of the film was created with hand painted and rotten 35 mm and 16 mm celluloid strips.
Director
This film was made during the second hungarian abstract film workshop: the students created a free association adaptation of the poem of Charles Bukowski. The film was made with direct animation technique, on 35 mm and 16 mm filmstrips. Eötvös Loránd University (ELTE), Budapest.
Director
This film examines the relationship between the 1950's movie gimmicks and the contemporary blockbusters through the synesthesia of the classical abstract cinema.
Writer
1990, after the fall. A man struggles to survive in the forest, living alone in a small cabin. One day he spots a mysterious child in an abandoned summer camp.
Co-Writer
1990, after the fall. A man struggles to survive in the forest, living alone in a small cabin. One day he spots a mysterious child in an abandoned summer camp.
Director
1990, after the fall. A man struggles to survive in the forest, living alone in a small cabin. One day he spots a mysterious child in an abandoned summer camp.
Writer
The title of the film is the date on which the editorial staff of Hungary’s largest opposition newspaper, Népszabadság, was fired. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context.
Director
The title of the film is the date on which the editorial staff of Hungary’s largest opposition newspaper, Népszabadság, was fired. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context.
Director
510 On a sleepy morning Eduardo Kac, Professor of Biology, cross-fertilized his own DNA with that of the petunia. From the poetry book of Márton Simon.
Director
Pure Virtual Function is an abstract meditation on the representation of violence, the connection of virtual and real aggression. The film was made from painted 35 mm film strips and sound recording from Iraq war.
Director
Arthur Rimbaud's adventures are still the greatest mysteries of the history of literature. This film, which was written by three Hungarian poet, attempts to reconstruct the journeys of the French poet. Rimbaud is an experimental road movie, edited from 30 reels of super 8 film, shot by unknown families in the past century.
Director
The early avant-garde filmmakers believed that the cinema had the function of a machine, made to generate pure feelings.
Director
This short experimental documentary, shot on super 8, contains a soundtrack that was recorded by the film’s authors during a primary school class trip 24 years earlier.
Editor
Reconstructions of unrealized Hungarian films in cooperation with the greatest Hungarian film directors.
Writer
Reconstructions of unrealized Hungarian films in cooperation with the greatest Hungarian film directors.
Director
A boy's sleep is disturbed.
Director
The film attempts to stimulate without dialogue and with not too exciting storyline, using only images, sounds, film-noir and usual horror elements.
Director
Marc Augé's essay "Non-Places: Introduction to an Anthropology of Supermodernity" meets with Stanley Kubrick's 2001: A Space Odyssey in some Hungarian highway rest areas.
