Janine Dauterich

The 9th Symphony of Ludwig van Beethoven is one of the most popular pieces of classical music in the world. Even those who are not passionate about the classical music recognize the famous Ode to Joy. Despite the grim context in which it was created, the 9th Symphony leaves us fascinated, moved and uplifted by its creativity, its power and its culmination in the Ode to Joy. More than 160 years after it was written, Beethoven’s hymn to brotherhood was adopted by the European Union as its official anthem. But Beethoven’s Ninth is also met with enthusiasm far beyond the borders of Europe. What’s the explanation for its never ending success? What is it about this work of art that fascinates people all over the world?

Corona has turned our lives upside down. Everywhere. In Corona Chronicles, people from all around the world document their everyday life during the pandemic with their mobile phones: An Indian construction worker, a Spanish nurse, a Chinese returnee, a bicycle courier in New York, a girl from Afghanistan in the Moria refugee camp – together, from mid-March to mid-April 2020 they are writing a communal, global video diary.

The Mexican Maestro Alondra de la Parra has taken the world's concert halls by storm. Born in 1980 in New York, she decided early on she wanted to become a conductor. Her great dream has taken her on a long journey - and it is not over yet, by any means. Alondra de la Parra'a roots are in Mexico - but her orchestras and her audiences are to be found all over the world. Alondra de la Parra is one of those trailblazers who has made history by being appointed the first conductor and music director of the Queensland Symphony Orchestra in 2017. She began playing the piano at age 7 and the cello at 13. After she studied in England and the United States - with mentors such Kurt Masur and Kenneth Kiesler, she founded the Philharmonic Orchestra of the Americas (POA) at age 23 in 2004.

Lonely and isolated in Australia, Simon, a middle aged Australian man travels to Cambodia searching for love. Once there, Simon begins a fragile self exploration as he is confronted by his sexual desire against his need for love.

The Three Tenors began their collaboration with a performance at the ancient Baths of Caracalla in Rome, the eve of the 1990 FIFA World Cup Final. Following the big success of the 1990/1994 concerts, The Three Tenors opened a world tour of 31 concerts, the last one in 2003. Seven of these 31 concerts had been recorded for TV but disappeared somewhere in London. All attempts to bring back these invaluable recordings to the audience failed. Now, after all these years, C Major in cooperation with Three Tenors Ltd. managed to assemble the most beautiful moments of six lost concerts in Munich, Tokyo, London, Vienna, New York and Pretoria.

For many, the Russian city of Perm might seem like the end of the world, isolated in the foothills of the Ural mountains. But it is in this rapidly developing industrial city – which is establishing itself as one of Russia’s modern cultural centers – that the Greek conductor Teodor Currentzis has been quietly revolutionizing classical music with his ensemble musicAeterna. The film follows the recording sessions of Mozart’s Don Giovanni, documenting the artists’ habits and painting a portrait of this exuberant conductor.

Itália, 1915. Os jovens Andreas (William Moseley) e Francesca (Eugenia Costantini) se conhecem no casamento da irmã dele e logo se apaixonam perdidamente. Na mesma época, a Itália declara guerra a Áustria-Hungria e a Primeira Guerra Mundial eclode. Andreas é chamado a lutar no fronte, nas montanhas Dolomitri, localizadas no norte da Itália, mas deixa com Francesca um sinalizador para que ela acenda caso esteja em perigo. Quando o conflito se agrava, o batalhão do rapaz descobre que o seu vilarejo está sendo atacado, e no momento em que a moça pede ajuda, ele precisa decidir entre lutar pelo seu país ou por sua amada.