Tatjana Strugar Dragojević

Three stories about the impact of three God's miracles in the medieval sense that happen to the film's heroes living in a post-communist society that, after half a century of atheism, re-learns about Christianity.

1216. Um ano após a batalha do castelo de Rochester, Hubert (Tom Rhys Harries), um sobrevivente da sangrenta batalha, luta para proteger seu clã dos celtas. Os invasores querem vingança pela morte do filho de um seus líderes e não vão descansar até não restar nenhuma alma viva naquele lugar.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

This film follows two Belgrade youths on their rise to gangster legends in a decaying society.

O ano é 1980. Halil, um muçulmano, e Milan, um sérvio, são amigos na Iugoslávia. Os dois meninos cresceram juntos. Eles moravam perto de um túnel inacabado, o Túnel da União e da Fraternidade, que deveria ligar Belgrado à Zagreb, servindo como símbolo da Iugoslávia unida. Doze anos depois, estoura a guerra da Bósnia e ambos agora encontram-se em lados opostos.