Ludmila Píchová

A teenage witch, Saxana (Petra Černocká), frozen in time as a punishment for 300 years, finds herself in a modern world.

A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.

The Prague Grand Orchestra travels by train to a music festival in Yugoslavia. Only the singer Sona Klánová missed the departure. In the meantime, she managed to buy a ticket to Belgrade at the air-terminal from Mrs Navrátilová, who couldn't make the trip. In the meantime, the orchestra conductor is beside himself with despair. He phoned to Prague from the border, and when he realized that Sona had left her house in a taxi, he thought that she would catch up with them by the road. The orchestra delayed the train's departure with an improvised concert for the custom officers and the passengers.

The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.

People are afraid of the usurer Chazaj and are convinced that he is the bearer of evil. One day Chazaj pays a visit to the poor artist Simon Jordán and asks him to paint his portrait. Simon agrees but as he progresses with the work his mind conjures up terrible thoughts and in the end he commits suicide. The portrait looks lifelike and Chazaj is content with the results. After Chazaj's death the picture changes hands and brings misfortune to all who own it. The last victim is the young painter Roman who buys Chazaj's portrait in a bazaar. He finds a treasure in the frame and begins to live well off it. The comfortable life suits him so well that he rejects his original artistic aims and becomes a painter of fashionable kitsch.