Director
Njeri é uma avó de 67 anos de idade que dirige a Kanyoko Fabrics & Designs em Nairobi, Quénia - um negócio que ela iniciou involuntariamente a partir da venda do seu Toyota Corolla de 1990, enquanto escapava a um casamento abusivo
Director
Kitwana is a ordinary boy just like the other kids. Since one day, his life is getting something wrong but there is no one who notice it.
Editor
This Migrant Business shows the systems that exist that enable and exploit African migrants seeking better lives in the Middle East and Europe. The system creates a cyclic force that ensures that demand and supply will continue to feed into each other, indefinitely. This is a lucrative trade with vulnerable people as its currency.
Writer
This Migrant Business shows the systems that exist that enable and exploit African migrants seeking better lives in the Middle East and Europe. The system creates a cyclic force that ensures that demand and supply will continue to feed into each other, indefinitely. This is a lucrative trade with vulnerable people as its currency.
Director
This Migrant Business shows the systems that exist that enable and exploit African migrants seeking better lives in the Middle East and Europe. The system creates a cyclic force that ensures that demand and supply will continue to feed into each other, indefinitely. This is a lucrative trade with vulnerable people as its currency.
Editor
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
Writer
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
Director
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
