Hélène Cixous

Recounts the epic of Vincennes Experimental University Center, from its creation after the events of May 68 until its demolition in the summer of 1980. To talk about Vincennes is to relive unique ten years of intense intellectual and political extravaganza, educational and artistic inventiveness, utopias, hopes, and betrayals that marked the history in a unique place, the forest with the eponymous name.

A look back at the life of Jacques Derrida, on the 10th anniversary of the philosopher's death.

A film-crew in the early twentieth century, the cabaret known as ‘Le Fol Espoir’ has been transformed into an amateur soundstage. The motion picture tells the story of a ship and its passengers – from the famous opera singer down to the petty criminal. The film is an optimistic political fable intended to educate the masses. There’s comedy aplenty – slapstick punches, custard pies and gags reminiscent of Buster Keaton and Fatty Arbuckle; there’s adventure, high drama moments of great bravura , and passionate love stories. The filming begins on June 28th 1914, the day of the Archiduke Franz Ferdinand’s assassination in Sarajevo, the gunpowder that sets Europe alight. It ends with news of another assassination – that of Jean Jaures on July 31st followed by the general conscription of August 1st, heralded by church bells across France. The allegory of the shipwreck is filmed at breakneck pace during the last five weeks before war breaks out.

Based on the play by Hélène Cixous, filmed in 2002, Tambours sur la Digue is a story written by Hélène Cixous based on an ancient Asian fable about who shall be saved during a flood and presented by live actors as puppets and puppeteers, evoking the theatrical traditions of Japanese Noh and bunraku.

To get beaten or give a beating, to beat oneself up. To beat the odds. Metal is forged by beating. Birds beat their wings, the sun beats down, and our hearts - Under this central trope of 'beating', with its combined negative and positive implications, the film brings together the individual personally lived and the communal, historic perspective; hatred and forgiveness; laughing and crying.

To celebrate the bicentennial of the French revolution, an exposition of mannequins representing the deputies brought together in 1789 to discuss the Declaration of the rights of man, is held in the the French National Assembly. The mannequins come to life suddenly and are joined by other historical figures who fought for human rights.