Miroslav Hřebejk

Eduard Štorch (1878–1956) was the first writer in the Czech lands and in the world to set his stories in prehistoric times. It’s quite ironic that he himself considered his books set in the Stone Age and Bronze Age to be mere accessories to his main life calling as a professional teacher. Another profession that Štorch took up was archaeology. An unusual finding at a sewer excavation site prompted Štorch to write his most famous work: The Mammoth Hunter, which has been released in over twenty editions and sold over half a million copies. The book was published at least ten times in German and even translated into Japanese.

In love with a girl that smells of oranges while in a complicated relationship with his father, Darek is gentle, strong and devoted to his little sister and their herd of horses. Darek's world is a story about the joy and pain of growing up in the isolated yet beautiful Lusatian Mountains. Here, horses are not expensive specimens of racing stables but beings you should care for and love. Not even that is enough in life though, as Darek finds out nearing the Summer's end, closing his childhood definitely. However, just like any ending, this is a start of something new.

Lovers & Murderers is about the ongoing war between those who have and those who want to have what the others have. The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained. The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. Lovers & Murderers presents Páral's vision of mankind caught in a cyclical process in which ideology pales before the pettiness, cruelty, and self-justification of human nature.