Isidro Miguel

Through important testimonies, the director Miguel Rodríguez Arias intends to reveal facts that intertwine the life of the singer with that of his people. His desires, his virtues, his defects and his defeats. It is the story of a captivating voice, the reflection of a soul that transcends borders and languages with its art.

An Argentinean family living in Spain has their lives rocked when a famous author from their home country claims that their daughter is actually his granddaughter who was lost during a war.

Borges falls in love with Beatriz Viterbo, a high-class young woman, who decides to marry a government official who makes Borges strongly suspect him, speculating that he is a sadist who is slowly poisoning Beatriz. To save Beatriz Borges, he decides to turn to a detective, who becomes the hinge of an unthinkable story.

Julio and El Polaco, in distant years, were inseparable friends in their hometown, near Necochea. The life of the first was governed by obedience to his mother, the despotism of his uncle and a style of honesty. El Polaco, on the other hand, was closer to marginalization and violence. Julio, turned into a businessman, takes root in the United States. The Pole continued his course in the place of those sometimes very cruel antics.

An emotionally distant father attempts to reconnect with the son he abandoned. After his estranged son (Juan Diego Botto) tries to commit suicide, Argentine expat Martín (Federico Luppi) brings the troubled teen to live with him in Spain. But though Martín tries to reach out to his son, he's unable to bond with anyone in his life -- including his much-younger girlfriend

Irene is a magazine editor living under the shadow of the Pinochet dictatorship in Chile. Francisco is a handsome photographer and he comes to Irene for a job. As a sympathizer with the underground resistance movement, Francisco opens her eyes and her heart to the atrocities being committed by the state.

A woman and a man known through a radio program dedicated to unite in their lone pairs listeners.

Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a clinic with Nelda, a progressive nun. Into this idealistic family comes Hans, a jaded Spanish geological engineer -- surveying the land for the local patron, to see if it can be dammed for hydro-electric power, which would drive the peasants from the land into the cities.

Garoto foge de um orfanato e volta à favela onde vive, na periferia de Buenos Aires, onde comete pequenos furtos e briga com outros meninos. Trata-se de um pungente retrato do imenso cinturão de miséria que começava a rodear a capital na década de 60, um fenômeno que, aparentemente, se repetiu em toda a América Latina. A direção e o texto magistrais de Leonardo Favio tornaram possível esta verdadeira obra-prima do cinema novo argentino.