Leo Leux

Documentary about the life in Berlin in 1941. The planned premier was stopped by the national party due to the damages and painful changes to the city that soon followed. It thus premiered in 1950.

Marion Austerlitz is a stubborn person, much to the chagrin of her husband, Dr. Fritz Austerlitz. There's constantly some kind of excitement going on in their house: this time, Marion takes in a barking dog, much against the wishes of her husband; that time she's harrasses the old servant; then countless traffic tickets from the police come in the mail; or high bills for extravagant huts are delivered by the mailman. Finally, Fritz blows a fuse. In the presence of his friend, Professor Endres, and Marion's mother, a big fight breaks out between the couple.

It’s 1910 and we’re in the duchy of Lauffenburg. Everybody is celebrating the 600th birthday of the local hero, Otto the Ironman, who in his time saved the duchy from annexation and beat the enemy so badly, that he fled ... well, that’s what it says in the history books, at least. Local gossip asserts, however, that Otto wasn’t even part of the battle and was spending his time having fun with a pretty girl. When one day a piece is introduced at the court theatre, which tells the heroic story of Otto, the director rejects the mediocre story.

A sculptor, an enemy of modern art, sets an example. He sculpts a statue of Venus in the style of the Greek antiquity and buries it in a forest. When it's dug up in 1930, it's considered to be a 2 000 year old, antique statue.

This is an animation cartoon video created by the Nazis to show their people of the war machine they've created in Germany.

Charming Tom is pursuing fine Olivia both cheerfully and stubbornly. At first, she rejects him brutally; but then she finds pleasure in this intrusive guy, who’s following her everywhere. They spend an evening together; but afterwards, Olivia determines, that a valuable bracelet has been stolen from her. Now she thinks Tom is the infamous jewel thief, who’s been terrorizing the neighborhood.

German all-star musical from 1938 that was a big commercial success.

The famous tightrope artist Truxa is drinking at the Artisan bar in New York. He meets a young man, Husen, and gives him his stage name Truxa. He is to take the real Truxa's place at a circus show in Wintergarten, Berlin.

Jozi's aunt runs an inn near the border and has a little side-job: she smuggles. Poor, naive Jozi doesn't know anything about it. Jozi falls in love with the young border patrol officer Hans and her feelings are amply returned. But Hans' supervisor suspects Jozi of smuggling and tries again and again to lead her into illegal temptation. Finally, Hans sees Jozi in a dance bar together with smugglers and believes, too, that she's one of their accomplices.

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.

"A woman must forgive everything"- Brunhilde's parents expects her to marry Mr. Kuhn. To avoid this Brunhilde makes plans with her lover and piano teacher. She will wear the ugliest possible dress and sing horribly when she meets with Kuhn.

Toni van Eyck became known with her leading role in this early "Aufklärungsfilm" (education film) Gefahren der Liebe/A Woman Branded (Eugen Thiele, 1931) opposite Hans Stüwe. She played a rape victim, who finally becomes a murderess.