Camera Operator
I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!
Cinematography
O policial secreto Billy Tong infiltrou-se na Gangue Ching Tau e descobriu que eles estão planejando sequestrar Tiffany Long, a filha de um notório chefe da tríade Dragon Head Xi Long. Quando Billy descobre que Melinda, sua ex-mulher está grávida, ele questiona suas escolhas de carreira e arrisca a segurança da filha de Xi Long e de sua nova família.
Additional Photography
Two circles move in not-quite unison; a camera tracks a car which, later, tracks a track, all forced contact and slow speed, velocity crying out for inertia like friendship, a time apart in the digital flow of perpetual motion to talk and listen and know, where history sits calmly and speaks slowly as a tangent-you have to pick precisely the right angle, as he picks precisely the right word, and stick with it, and, again, listen-to these online concentricities as it gradually reveals that what from one distance looked sturdy is, from in fact the same distance but different light, a mess in constant need of untangling (And so you see that Walter Benjamin's Angel has no choice but to turn his back to the future.) and that in the face of this monumental facing up, literal project of lifetimes, there is absolutely nothing but love.
