Cristina Sardo

Umberto Eco's private library was a world in itself: more than 30,000 contemporary books and 1,500 antique volumes. With the help of Eco's family, the director has produced a documentary that describes a one-of-a-kind place.

Joe, Carlo, Bobo and Giacomo have always been friends, each with their own life and problems, but united by an authentic bond and the passion that brought them together: music. The Boys, the band's name, had had lightning-fast success in the 1970s. In their routine - between love and personal affairs - a possibility bursts that takes them on a new journey: they will have to deal with the dreams and ambitions of the past and the world of today, but even more they will discover the meaning of their friendship. .

Footwear company Togo was a family business that thrived reaching the point of owning more than 30 stores in the wider Turin area. All that is left today is a couple of struggling stores, enormous suffocating debt, and the desperation of uncertainty as bankruptcy is looming in. Director Gianluca Mattarese has been living in Paris for the last 18 years meticulously fencing himself off from the harsh reality of a family breakdown. Like a prodigal son, he eventually returns to his roots with the task of recording a routine of malaise framed by financial collapse. A bittersweet tale of family bonds, reuniting, and atonement.

Footwear company Togo was a family business that thrived reaching the point of owning more than 30 stores in the wider Turin area. All that is left today is a couple of struggling stores, enormous suffocating debt, and the desperation of uncertainty as bankruptcy is looming in. Director Gianluca Mattarese has been living in Paris for the last 18 years meticulously fencing himself off from the harsh reality of a family breakdown. Like a prodigal son, he eventually returns to his roots with the task of recording a routine of malaise framed by financial collapse. A bittersweet tale of family bonds, reuniting, and atonement.

Art documentary about the Accademia Carrara gallery, which reopened in 2015 after seven years of extensive restoration.

"One evening, without any particular expectations, I went to the Lavanderia a Vapore theatre in Collegno, headquarters of the Balletto Teatro di Torino, directed by Loredana Furno, and I saw Sexxx, the ballet by Matteo Levaggi. I’m not a fan of modern dance, but I think this is why my fascination that evening was sincere and convinced. Above all, I was struck by the way the choreographer was able to take the explicit gestures and movements of sexual communication and transform them into the language of dance. And since body language is one of the topics I have been interested in filming since that ‘scandalous’ Guardami, I was already sufficiently motivated to transform the ballet into a movie." - Davide Ferrario