Francisco Adrianzén

Francisco Adrianzén

História

FRANCISCO ADRIANZEN MERINO, studied Electronic Engineering at the National University of Engineering – UNI (1967-1972, Peru). He has been working professionally as a filmmaker since 1974, working on more than twenty feature films and a hundred short films as a sound engineer and/or sound post-producer. As a filmmaker, he has directed 11 short documentaries, 2 medium-length films and 2 feature films: FROM THE SIDE OF THE HEART Winner of the Ibero-American Film Production Aid Fund – IBERMEDIA and the 2010 National Documentary Contest of the Peruvian Ministry of Culture. FROM THE BIMBAMBUM TO THE TROPICANA, dedicated to his dear friend Jorge Vignati. Award for Best Documentary Feature Film at the Fourth Trujillo Film Festival – Peru – 2017. He is currently working on his third documentary feature film entitled EL COLOR DEL CIELO, a winning project of the Incentives for Culture of the Peruvian Ministry of Culture.

Perfil

Francisco Adrianzén

Filmes

Desde el lado del corazón
Desde el lado del corazón
Director
Desde el lado del corazón
Desde el lado del corazón
Producer
Esther en alguna parte
Esther en alguna parte
Production Design
A widower is surprised to learn that his late wife lead a double life.
Y si te vi, no me acuerdo
Y si te vi, no me acuerdo
Sound
Gregorio
Gregorio
Sound Director
Gregorio, a boy from the impoverished countryside of Peru emigrates to Lima, the capital city. Experiencing a cultural shock due to the chaotic nature of the city, he must challenge himself to learn Spanish, since his native tongue is Quechua, and survive in this whole prejudiced new world. A hostile world for poor immigrants.
El cine de cada día
El cine de cada día
Writer
It is a documentary that shows the work of film workers in the different areas of distribution and exhibition that allow films to reach viewers. In addition, it testifies to the preferences of the cinematographic public in the years of 1983.
El cine de cada día
El cine de cada día
Director
It is a documentary that shows the work of film workers in the different areas of distribution and exhibition that allow films to reach viewers. In addition, it testifies to the preferences of the cinematographic public in the years of 1983.