Vladimir Krug

With her the husband and her mother Katya lives in a small provincial town and works at the local factory. The mother suddenly falls ill and decides to transfer her property to her son, Katya’s brother. Katya feels this decision to be unjust, and begins to fight for her inheritance. In pursuit of imaginary material well-being Katya decides on a most desperate act.

Sasha is stalking a man. They seem to have a common past, which Sasha can't let go. This leads her into dark territory. For he is an uncompromising photographer, who is obsessively trying to get an exhibition in a gallery. His theme is fear - and to capture this in its perfection, he puts women into shock situations in his photo shoots. In the process, reality and production become blurred, and the models pay the price. One day he turns up at Sasha's door - A dark cocktail of passion and obsession, portraying the borderline facets of photography.

Six various novels united in a one movie.

A disaster film.

Ironic and philosophical film. Here everything is not as it really is. And this opens up a new essence of all things.

Every year, 25,000 people die on Russian roads. You could say a whole city is disappearing from our planet. And about a third of its "residents" were involved in an accident due to speeding. Many drivers do not consider acceleration even at 30 km / h a violation, but statistics show that they are wrong. Five different stories combined in movie almanacs will make every viewer, at least, think about the right choice of speed. Both on the road and in life.

“Bloodrop” is an experimental short directed by Aleksei Popogrebsky. Originally part of the Experiment 5ive omnibus, hence the black envelope with the picture inside, which had to be the common element of all 5 films.