Leopoldo Ortin

Nascimento : 1893-12-23, Lima, Peru

Morte : 1953-08-03

Filmes

Vive como sea
A rich uncle thinks he's married with children, so a young gadabout recruits all his friends to pass themselves off as his wife, inlaws and children.
Dos tenorios de barrio
Two small-town hustlers are mistaken for government officials.
El nieto del Zorro
Two strolling players are mistaken for locally-famous bandit. Also, a young lady's inheritance is at stake.
El ahijado de la muerte
Dionisio
Father of a newborn makes a deal with Death to protect his son.
Ocho hombres y una mujer
Eight shipwrecked men do the Robinson Crusoe thing on an uninhabited island... and then they're joined by an aviatrix whose plane conks out in their airspace.
La sombra de Chucho el Roto
El jefe máximo
(as Polo Ortín)
A 1940 film directed by Fernando de Fuentes.
Los últimos días de Pompeyo
(as Polo Ortín)
A 1940 film directed by Rafael E. Portas.
La canción del huérfano
Charrasquitas (as Polo Ortín)
A 1940 film directed by Manuel R. Ojeda,
Caballo A Caballo
Two con-men end up at a country estate, where they thwart some jewel-thieves.
El muerto murió
The paths of a young woman and her late husband's mistress cross without their knowing it, which causes much confusion for the two women and their new partners.
Guadalupe La Chinaca
1830s: An officer from the French army and a leader of the insurgency are both in love with Ms. Guadalupe.
Alma jarocha
La Adelita
Beautiful peasant girl runs afoul of her landlord's horny son and he poisons the well between her and her fiance, so she runs away and joins the Revolution.
Amapola Del Camino
Ranchera comedy/melodrama
La obligación de asesinar
La honradez es un estorbo
Carlos Larín (as Polo Ortín)
El derecho y el deber
Officer comes home from the Revolution to discover that he's been declared dead and that his wife has remarried and given his lands to another man.
¡Ora Ponciano!
Juanón
'Ora Ponciano stars Chucho Solorzano as the eponymous hero. Set in 19th-century Mexico, the story deals with a celebrated matador named Ponciano, as skillful with the senoritas as with the toros. Special attention is lavished upon the romance between the bullfighter and the fair Rosario (Consuela Frank). Much of the film is given over to authentic re-creations of various folk festivals and dances, with the extras colorfully (and accurately) costumed for the occasion. The fact that the bullfighting sequences are not excessively brutal is an indication that the producers of 'Ora Ponciano hoped to release the film in the U.S.
The Super Madman
Sóstenes
Mad scientist, a neanderthal and a drunk makes a crazy combination.
El rosal bendito
Martín Garatuza
Sixteenth-century swashbuckler helps a young woman claim a rightful inheritance in the face of opposition from her father's widow and co-conspirators.