Music
A communal house left in trust many years ago to provide art students support in the way of free housing, ART HOUSE has accumulated its share of legends, lore, art, art junk and a reputation for hard partying. When a university dean and an influential descendant of the original benefactor decide to turn the place into housing for varsity golf, the residents only chance of blocking the move is to prove their value and vitality as an artistic community. The burden is on art student Nora Ohr (Greta Gerwig), who is energetic, compassionate, but by no means perfect. Can the residents of ART HOUSE get their act together and make a name for themselves as artists before they're kicked out?
Director
A communal house left in trust many years ago to provide art students support in the way of free housing, ART HOUSE has accumulated its share of legends, lore, art, art junk and a reputation for hard partying. When a university dean and an influential descendant of the original benefactor decide to turn the place into housing for varsity golf, the residents only chance of blocking the move is to prove their value and vitality as an artistic community. The burden is on art student Nora Ohr (Greta Gerwig), who is energetic, compassionate, but by no means perfect. Can the residents of ART HOUSE get their act together and make a name for themselves as artists before they're kicked out?
Writer
A mockumentary satire of the academic world.
Director
A mockumentary satire of the academic world.
Producer
Em 1897, Anton Chekhov pela primeira vez registrou uma das principais regras de uma narrativa: "se uma arma aparece em cima da mesa no primeiro ato, alguem vai levar um tiro no ato final."Chekhov's gun imagina o que aconteceria se o personagem do filme tivesse consciência dessa regra e tentasse quebra-la.
Writer
Em 1897, Anton Chekhov pela primeira vez registrou uma das principais regras de uma narrativa: "se uma arma aparece em cima da mesa no primeiro ato, alguem vai levar um tiro no ato final."Chekhov's gun imagina o que aconteceria se o personagem do filme tivesse consciência dessa regra e tentasse quebra-la.
Director
Em 1897, Anton Chekhov pela primeira vez registrou uma das principais regras de uma narrativa: "se uma arma aparece em cima da mesa no primeiro ato, alguem vai levar um tiro no ato final."Chekhov's gun imagina o que aconteceria se o personagem do filme tivesse consciência dessa regra e tentasse quebra-la.
