Heike Trinker

Eifel landlady Toni Janssen wants a child, but not necessarily a man. After an alcohol-fueled slip, her ex-boyfriend Hajü, of all people, gets her hopes up. Meanwhile, Heidi accidentally meets an old childhood friend.

Flora loves her son more than anything. But Luke, a bright teen with mild form of ADHD, repeatedly poses problems for his mother by causing trouble at school.

During a dress rehearsal for a fashion show, the model Nastja believes to have seen a murder. The victim is her friend Kira, but there is no trace of her. The detectives Anne Marie Fuchs and Youssef el Kilali, however, soon come across the body of the young woman in a clothes trolley belonging to the fashion company and begin to investigate.

Hilla grows up in the 60s, her father is a worker and her mother a charwoman. But she wants a different future for herself, wants to study. After a violent incident she needs a strong shoulder. Who of her life will do?

Two very different brothers: Gregor (32) and Pietschi (30). Whereas one is reliable and committed, the other is spontaneous and aimless. Gregor is married and is a good doctor; Pietschi in contrast is something of a ladies’ man and a hedonist. According to tradition, the two see each other at least once a year for a weekend of sailing. But this year Pietschi drops out without leaving a message, and simply disappears. Gregor’s life goes on, but he is confused and searches everywhere for a sign of his brother’s whereabouts. The more Gregor realises how little he knows about his brother, the more he becomes fascinated by these things he doesn't know. And the longer Pietschi remains missing, the more obsessed Gregor becomes with his brother’s fading echo, even going so far as to try and slip into his brother’s life. But what happens when one of them suddenly disappears from the mirror image? Can the other continue to be the person they are. Or rather, were?

Bank manager Frank and writer Patrizia meet by coincidence again and again at the airport. They commute between Dusseldorf and Paris, but behind their travels are two fateful stories. Frank wants to complete the business of his life, Patrizia visits her lover, who is in a coma since a car accident. For both life comes out of joint and they each suffer heavy losses. What connects them is the search for hold, a listener, the need to be needed and the hope that there is a beginning in each end.

Joseph is in his mid-sixties and has just lost his beloved wife. Everything in his big old mansion reminds him painfully of the years they spent together. One day several visitors turn up unexpectedly. They seem to be relatives of his deceased wife. In the beginning, the uninvited guests treat Joseph with loving care, but bit by bit the situation begins to change. The visitors slowly, almost unnoticably, become aggressive, even hostile, invaders. They try to get rid of Joseph and take over his house, his world, his thoughts. Is this just the paranoia of an old man or really a ruthless invasion?

A man and a woman at an art exhibition share a fleeting moment of attraction, which neither can act upon. Days later, a chance second meeting leads to an innocent coffee and the two strangers – both married - toy with their unexplainable fascination for each other. Svenja is curious and finds herself in a hotel room with Roland, but she does not consummate an affair. A powerful executive at the large bank where Svenja's husband works, Roland is used to getting what he wants. He manipulates the transfer of her husband to Indonesia to replace a recently murdered bank manager. Unaware of Roland’s actions, Svenja now ceases to resist...

1818 in the Münsterland: Innumerable pilgrims seeking comfort and consolation visit the bedside of Anna Katharina von Emmerich, a nun whose body bears marks of the holy wounds of Christ on her chest, forehead and hands. Clemens von Brentano, an artist in his prime, visits the nun′s sickbed as a simple "writer of the wonders of God" to take down her visions and beliefs. He believes himself to be in charge of his life as a devout Catholic. The former rake′s encounter with the charismatic nun proves fateful, however. For both of them.

Leo é um instrutor de dança conquistador que ganha o coração de todas as alunas. Um dia, sua chefe, inconformada com a atitude do professor, resolve dar uma lição para Leo e o manda embora. Depois de perder o emprego e não ter como pagar as dívidas, sua única oportunidade é dar aula em uma escola de dança que só seleciona mulheres idosas para lecionar. Desesperado, Leo pede ajuda para um amigo maquiador e se transforma em “Leonore” para conseguir o emprego. Lá, ele conhece Sandra, uma doce mãe solteira que é secretamente apaixonada por Marco, um instrutor bonitão que nem nota sua presença. Ao descobrir como Sandra é boa dançarina, Leo decide ser seu parceiro em uma competição, onde finalmente entende os reais sentimentos que nutre por ela.