Art Direction
Um emigrante português na Holanda morre num acidente e é sepultado em Amsterdã. Mas a sua alma não descansa em paz enquanto o corpo não for trasladado para Portugal.
Production Design
A female vampire must bathe in the blood of virgins in order to stay alive. The trouble is that virgins are in short supply nowadays, and she is running into major problems in finding one.
Art Direction
Set Designer
On a trip across Western Europe to promote her newest release, filmmaker Anna encounters several individuals—familiar and otherwise—and attends to their discontents.
Art Direction
Pierre, a young man of Brussels, has lost his job. Unbeknowst to Barbara, the woman he lives with, he has become a pickpocket to survive. He works in partnership with a young Tunisian immigrant he meets every Sunday in an abandoned bus where they share the loot of the week. One day, Pierre finds his accomplice dead in their hiding place. Pierre suddenly realizes that he does not know much about his dead friend. Taking possession of his identity papers, Pierre decides to go to Tunisia to find out who his friend actually was.
Art Direction
In the Belgian hamlet of Verbrande Brug, former lovers Monique and Louis reconnect at a carnival, stirring up drama with their current partners.
Production Design
Fred, a 28-year-old bachelor from a quiet village in the Ardennes, is forester and grave digger. He is in love with Isabel but she has always loved their childhood friend Peter. Then Peter returns after a failed marriage.
Art Direction
Considerado como a obra-prima de Akerman, traz a atriz Delphine Seyrig no papel de Jeanne Dielman, uma jovem viúva que vive com seu filho Sylvain seguindo uma ordem imutável: à tarde, enquanto seu filho está na escola, ela cuida do apartamento e recebe os clientes.
Camera Operator
This is a film which was made in Belgium in the early '60s and was never released. However, it somehow got included in the American Oscar category for "Best Foreign Film," and was finally released in its home country in 1971. It explores the issues of prejudice and superstition in the Belgian countryside through the troubles of a middle-aged farmer whose mother has been accused of being a witch. In French, this picture is based on a true story which took place in the late 1920s and early '30s.
Editor
Editor
Shots of a car speeding down the road are intercut with kinky sex flashes (a woman with a whip rides a guy, for instance). Then the car crashes into a tree, the male driver (Christian Chaix) is decapitated and the bloody, injured female (Marie-Paule Mailleux) scoops up his head and returns to her home. There, she cleans herself and the head off, prepares dinner for herself and the head, buys the head a Ken Doll to keep it company, puts the head on a mannequin's body and then has a series of strange hallucinations, which include having sex with her bloodied lover, dancing in a room by herself with a spotlight, etc. Things culminate in her having sex with the head and then throwing it into the trash bin.
Director