Marc Caro
Nascimento : 1956-04-02, Paris, France
História
From Wikipedia, the free encyclopedia.
Marc Caro, born April 2, 1956, is a French filmmaker and cartoonist, best known for his co-directing projects with Jean-Pierre Jeunet. The two of them met at an animation festival in Annecy in 1974. Together, Jeunet and Caro directed award-winning animations. Their first live action film was The Bunker of the Last Gunshots (1981), a short film about soldiers in a bleak futuristic world. Jeunet and Caro's first feature film was Delicatessen (1991), a melancholy comedy set in a famine-plagued post-apocalyptic world, in which an apartment building above a delicatessen is ruled by a butcher who kills people in order to feed his tenants.
They next made The City of Lost Children (1995), a dark, multi-layered fantasy film about a mad scientist who steals children's dreams so that he can live indefinitely.
The success of The City of Lost Children led to an invitation to direct the fourth film in the Alien series, Alien: Resurrection (1997). This is where Jeunet and Caro ended up going their separate ways as Jeunet believed this to be an amazing opportunity and Caro was not interested in a film that lacked creative control working on a big-budget Hollywood movie. Caro ended up assisting for a few weeks, with costumes and set design but afterwards, decided to work on a solo career in illustration and computer graphics.
His first feature film as a solo director was entitled Dante 01.
Description above from the Wikipedia article Marc Caro licensed under CC-BY-SA, full list of contributors on Wikipedia.
Self
A subtle portrait of Japanese director Satoshi Kon by the specialist of Japanese cinema Pascal-Alex Vincent and a dive into a rich work. With interviews of the greatest Japanese, French and American directors inspired by his work.
Director
Documentary about robotics.
Writer
Filmmaker Marc Caro interviews Claude Pinoteau, assistant director of Jean Cocteau's 1950 film ORPHEUS, about the special effects used in the film.
Director
Filmmaker Marc Caro interviews Claude Pinoteau, assistant director of Jean Cocteau's 1950 film ORPHEUS, about the special effects used in the film.
Screenplay
Na extremidade de uma galáxia, encontra-se Dante 01, a prisão espacial que reúne os piores criminosos da humanidade. Num dos últimos transportes chega um novo prisioneiro, que sobreviveu a um encontro com seres extraterrestres, e uma médica para realizar experiências pouco éticas com os presos. Com o tempo, este novo detento começa a revelar estranhos poderes que vão mergulhar a estação no caos e na rebelião, onde cada um dos habitantes será confrontado com os seus limites e os seus maiores medos.
Director
Na extremidade de uma galáxia, encontra-se Dante 01, a prisão espacial que reúne os piores criminosos da humanidade. Num dos últimos transportes chega um novo prisioneiro, que sobreviveu a um encontro com seres extraterrestres, e uma médica para realizar experiências pouco éticas com os presos. Com o tempo, este novo detento começa a revelar estranhos poderes que vão mergulhar a estação no caos e na rebelião, onde cada um dos habitantes será confrontado com os seus limites e os seus maiores medos.
Director
Short films, clips and commercials made by Marc Caro when he was working at his movie 'Cité des Enfants Perdues' (1995).
Director
Writer
A group of women in a techno-metallic world are using pleasure machines... and condoms.
Director
A group of women in a techno-metallic world are using pleasure machines... and condoms.
The Garroted Man
An avid moviegoer sees several films depicting grisly murderers and decides to commit a crime himself, only to discover that there's quite a difference between fantasy and reality.
Le monstre
A old red riding hood, badly crippled after killing a monster many years ago, comes up with a sinister plan to dance again.
Sound Effects
Este conto de fadas acompanha um menino andando pelas ruas de uma nublada cidade portuária povoada por estranhas criaturas aterrorizadas por Krank, um cientista louco que sequestra crianças órfãs para roubar seus sonhos, na tentativa de abrandar o processo de envelhecimento.
Brother Ange-Joseph
Este conto de fadas acompanha um menino andando pelas ruas de uma nublada cidade portuária povoada por estranhas criaturas aterrorizadas por Krank, um cientista louco que sequestra crianças órfãs para roubar seus sonhos, na tentativa de abrandar o processo de envelhecimento.
Director
Este conto de fadas acompanha um menino andando pelas ruas de uma nublada cidade portuária povoada por estranhas criaturas aterrorizadas por Krank, um cientista louco que sequestra crianças órfãs para roubar seus sonhos, na tentativa de abrandar o processo de envelhecimento.
Production Design
Este conto de fadas acompanha um menino andando pelas ruas de uma nublada cidade portuária povoada por estranhas criaturas aterrorizadas por Krank, um cientista louco que sequestra crianças órfãs para roubar seus sonhos, na tentativa de abrandar o processo de envelhecimento.
Screenplay
Este conto de fadas acompanha um menino andando pelas ruas de uma nublada cidade portuária povoada por estranhas criaturas aterrorizadas por Krank, um cientista louco que sequestra crianças órfãs para roubar seus sonhos, na tentativa de abrandar o processo de envelhecimento.
Writer
An unequal battle between a small and skinny boxer, and a big and great boxer. The film is a mixture of animation and live action, a little surreal, making it an experimental film.
Director
An unequal battle between a small and skinny boxer, and a big and great boxer. The film is a mixture of animation and live action, a little surreal, making it an experimental film.
Fox
Num mundo pós-apocalíptico em que a comida é a principal moeda de troca, Louison (Dominique Pinon), um ex-palhaço, arranja um emprego no prédio que abriga o açougue Delicatessen. Instalado na pensão do andar superior, o novo funcionário acaba se envolvendo com a violoncelista Julie (Marie-Laure Dougnac), filha do sanguinário açougueiro Clapet (Jean-Claude Dreyfus). Perseguido, o rapaz precisa escapar do pai ciumento e dos demais moradores do prédio, que têm planos macabros para sua carne.
Production Design
Num mundo pós-apocalíptico em que a comida é a principal moeda de troca, Louison (Dominique Pinon), um ex-palhaço, arranja um emprego no prédio que abriga o açougue Delicatessen. Instalado na pensão do andar superior, o novo funcionário acaba se envolvendo com a violoncelista Julie (Marie-Laure Dougnac), filha do sanguinário açougueiro Clapet (Jean-Claude Dreyfus). Perseguido, o rapaz precisa escapar do pai ciumento e dos demais moradores do prédio, que têm planos macabros para sua carne.
Screenplay
Num mundo pós-apocalíptico em que a comida é a principal moeda de troca, Louison (Dominique Pinon), um ex-palhaço, arranja um emprego no prédio que abriga o açougue Delicatessen. Instalado na pensão do andar superior, o novo funcionário acaba se envolvendo com a violoncelista Julie (Marie-Laure Dougnac), filha do sanguinário açougueiro Clapet (Jean-Claude Dreyfus). Perseguido, o rapaz precisa escapar do pai ciumento e dos demais moradores do prédio, que têm planos macabros para sua carne.
Director
Num mundo pós-apocalíptico em que a comida é a principal moeda de troca, Louison (Dominique Pinon), um ex-palhaço, arranja um emprego no prédio que abriga o açougue Delicatessen. Instalado na pensão do andar superior, o novo funcionário acaba se envolvendo com a violoncelista Julie (Marie-Laure Dougnac), filha do sanguinário açougueiro Clapet (Jean-Claude Dreyfus). Perseguido, o rapaz precisa escapar do pai ciumento e dos demais moradores do prédio, que têm planos macabros para sua carne.
Director
Editor
Dominique Pinon takes the viewer through various examples of what he "likes and dislikes."
Director
Director
"Le Défilé" is a short film of Regine Chopinot & Jean-Paul Gaultier's collaborations, from a retrospective exhibit by the same name.
Director
Short video animation by Marc Caro.
Director
A surrealist, futuristic short film.
On a winter evening Billy Brakko buys a paper and reads: "The famous Billy Brakko is dead!"
An early short film from Jean-Pierre Jeunet and Marc Caro.
Story
On a winter evening Billy Brakko buys a paper and reads: "The famous Billy Brakko is dead!"
An early short film from Jean-Pierre Jeunet and Marc Caro.
Modeling
An early stop motion animated short film from Jean-Pierre Jeunet. With puppets by Marc Caro.
Writer
A military group of men is locked up in a bunker in an unknown future. All those soldiers are waiting for an eventual enemy. But the discovery of a certain project will cause several catastrophies and will make those men kill each other...
Editor
A military group of men is locked up in a bunker in an unknown future. All those soldiers are waiting for an eventual enemy. But the discovery of a certain project will cause several catastrophies and will make those men kill each other...
Costume Design
A military group of men is locked up in a bunker in an unknown future. All those soldiers are waiting for an eventual enemy. But the discovery of a certain project will cause several catastrophies and will make those men kill each other...
Photoscience Manager
A military group of men is locked up in a bunker in an unknown future. All those soldiers are waiting for an eventual enemy. But the discovery of a certain project will cause several catastrophies and will make those men kill each other...
A military group of men is locked up in a bunker in an unknown future. All those soldiers are waiting for an eventual enemy. But the discovery of a certain project will cause several catastrophies and will make those men kill each other...
Director
A military group of men is locked up in a bunker in an unknown future. All those soldiers are waiting for an eventual enemy. But the discovery of a certain project will cause several catastrophies and will make those men kill each other...
Director
Jeunet and Caro capture the story of an attempted prison escape from the Prison de la Santé in Paris. As the escape artists travels through tunnels and squeeze his way through freshly cut bars, he finds himself in an endless labyrinth underneath the confining walls of solitude.
